Scan 632; printed 524; sequence 532; image block130-source-632.png. Complete body and both margins e and dagger Plutarch. Preserve Pears, sprucely and Troilus on his Cresseid. Latin hunting and travel lines translated; Phaedra Ovid quotation differs from consulted Heroides.

Scan 633; printed 525; sequence 533; image block130-source-633.png. Complete body and all eight margins, including extended c at page foot. Restore printed she in Galeatus sentence; retain aprone and submisse. Preserve the Xenophon male beloved and record Burton’s rearrangement of Critobulus’s boast.

Scan 634; printed 526; sequence 534; image block130-source-634.png. Complete body and all nine margins. Preserve Latin and separate Burton English verses. Retain paratus and Te tunc jubere in altered Seneca quotation. Explain changed gender and circumstances in Amores and the source context of the adapted Medea lines.

Scan 635; printed 527; sequence 535; image block130-source-635.png. Complete body and all nine margins. Preserve Burton’s abridged Chaucer, Harington and Spenser verse. Enlarged crop confirms riveld wreak; marginal Faerie Queene locator repeats canto 3 book 4. Modern rendering follows the evident sense while noting the difficult reading.

Scan 636; printed 528; sequence 536; image block130-source-636.png. Opening body through and drink he will where she drank, if it be possible, in that very place, &c. Include first eight margins s, t, dagger Lucretius, m, n, o, p, q. Preserve elliptical love and admire a servant and explain interpretation. Block 131 begins If absent; next margin r Buchanan. Sylva.

Opening words: They are commonly slaves, captives, voluntary servants, Amator amicæ mancipium, as Castilio terms him

Closing words: and drink he will where she drank, if it be possible, in that very place, &c.

Passages DJR-131-01 to DJR-131-67

Source page labels: 528–534 (sequence 536–542). Scan pages: 636, 637, 638, 639, 640, 641, 642.

Scan 636; printed 528; sequence 536; image block131-source-636.png. Begin If absent immediately after 130. Remaining body and last marginal entry r Buchanan. Sylva. Preserve quotes; Latin door and wind verses translated.

Scan 637; printed 529; sequence 537; image block131-source-637.png. Complete body and all eight margins. Preserve o/p order by body anchor. Translate Anacreontic Latin across page boundary; retain teipsum and marginal evanescis with explanation.

Scan 638; printed 530; sequence 538; image block131-source-638.png. Complete body and all eight margins including unmarked Holyday credit. Enlarged crop confirms fructu sponsi. Preserve Xenophon/Lucian anchor positions. Latin and independent English versions remain separate.

Scan 639; printed 531; sequence 539; image block131-source-639.png. Complete body and all five margins. Preserve get privileg’d, obii, gender shifts, future erit, and the Latin quatrain attributed to Petrarch. Record altered classical contexts.

Scan 640; printed 532; sequence 540; image block131-source-640.png. Complete body and all nine margins. Love’s beneficial transformations and courage. Enlarged crop confirms each other slew in altered Spenser. Record source comparison and contextual rendering.

Scan 641; printed 533; sequence 541; image block131-source-641.png. Complete body and all ten margins. Retain adjacent Hyginus and Aratus margins in printed order. Explain Nemesis/Leda difference and sleeping woman, and the dog/hare conflation. Begin Cymon story.

Scan 642; printed 534; sequence 542; image block131-source-642.png. Opening three lines through and all for the love of Mistress Iphigenia. No margins belong to 131. Next begins In a word, I may say thus much of them all, let them be never so clownish; first margin dagger Plautus Casina act 2 scene 4.

Opening words: If absent, he will walk in the walk, sit under that tree where she did use to sit

Closing words: and all for the love of Mistress Iphigenia.

Passages DJR-132-01 to DJR-132-53

Source page labels: 534–539 (sequence 542–547). Scan pages: 642, 643, 644, 645, 646, 647.

Scan 642; printed 534; sequence 542; image block132-source-642.png. Begin In a word immediately after Cymon and Iphigenia. All remaining body and six margins. Translate Latin and retain separate English versions. h Plautus anchor inferred from adjacent elegance quotation.

Scan 643; printed 535; sequence 543; image block132-source-643.png. Complete body and five margins. Preserve liquidâque and Thalamis; enlarged detail confirms Mart. Epig. 5. Record Virgil male beloved and barber-name difference.

Scan 644; printed 536; sequence 544; image block132-source-644.png. Complete body and all eight margins. Grooming gives way to music and dancing. Record Callistratus/Daedalus conflation, wedding details and Lucian redistribution of torch/song motifs.

Scan 645; printed 537; sequence 545; image block132-source-645.png. Complete body and eight margins. Love and Death, elderly dancers and poets, and start of the cursed-dancers story. Assign reversed Gellius and Josephus margins to their respective stories. Pontano margin reads Tom. 2. Ant. Dialogo.

Scan 646; printed 538; sequence 546; image block132-source-646.png. Complete body and nine margins. Preserve all three and Amphitomantia. Record displaced Hyginus, E Græco and Patrizi references; retain both Pliny and Gerbelius citations with painting story.

Scan 647; printed 539; sequence 547; image block132-source-647.png. Opening conclusion of painting story and Sicyon’s excellence through before all the Cities in Greece. Stop before Apollo. All three margins on this page remain for 133; first u margin concerns symbols in continuing argument.

Opening words: In a word, I may say thus much of them all, let them be never so clownish

Closing words: before all the Cities in Greece.

Passages DJR-133-01 to DJR-133-76

Source page labels: 539–544 (sequence 547–552). Scan pages: 647, 648, 649, 650, 651, 652.

Scan 647; printed 539; sequence 547; image block133-source-647.png. Start Apollo immediately after Sicyon sentence ending 132. Include all remaining body and all three margins. First u margin on symbols assigned by subject; printed author Fransus retained as uncertain.

Scan 648; printed 540; sequence 548; image block133-source-648.png. Complete body and ten margins including unmarked S. R. 1600. Keep comic pastoral verse and song refrains. Retain Mat. 1.47. and explain apparent reference to Matthew 14:7.

Scan 649; printed 541; sequence 549; image block133-source-649.png. Complete body and seven margins. Preserve apparent crossing of Haedus and Aeneas Sylvius margins at their printed anchors. Include Member 5 and Subsection 1 headings.

Scan 650; printed 542; sequence 550; image block133-source-650.png. Complete body and fourteen margins. Keep Propertius non habet variant and historical humoral medical claims. Record R. T. margin/body marker discrepancy.

Scan 651; printed 543; sequence 551; image block133-source-651.png. Complete body and thirteen margins. Retain car. 56. as printed in Amatus citation, with explanation, and x before Gentleman. Keep separate Latin and Burton English verse versions. Medical and chronicle sources remain for full collation.

Scan 652; printed 544; sequence 552; image block133-source-652.png. Include body and ten margins through Such Acts and Scenes hath this Tragecomœdy of love. Stop before Member 6. Its heading, first prose and final Virgil Aeneid 6 margin belong to 134.

Opening words: Apollo was the first inventer of Physick, Divination, Oracles

Closing words: Such Acts and Scenes hath this Tragecomœdy of love.

Passages DJR-134-01 to DJR-134-57

Source page labels: 544–549 (sequence 552–557). Scan pages: 652, 653, 654, 655, 656, 657.

Scan 652; printed 544; sequence 552; image block134-source-652.png. Begin Member 6, Subsection 1 heading, then Although it be controverted by some. Include final Virgil margin; all earlier body and margins belong to 133. Keep Latin verse and separate Burton English couplet.

Scan 653; printed 545; sequence 553; image block134-source-653.png. Complete body and seven margins. Preserve Ovid margin lib. 3. remed. as printed. Translate Buchanan adaptation to the goddesses and preserve its altered pronouns. Retain Horace variants.

Scan 654; printed 546; sequence 554; image block134-source-654.png. Complete body and eleven margins. Include violent Gordonius remedy and confirm printed fœtere; distinguish historical claims from editorial explanation. Preserve Rer. Sam. and explain apparent Reg. San. abbreviation. Keep Ovid rocket versus Burton eryngo difference.