Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Girl with the Golden Eyes
La Fille aux yeux d’or · French with an independent close English translation
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Facing Pages · Branch 9 of 66
Novella · ¶ 7
French
p. 20Son lundi, à lui, est le dimanche; son repos est la promenade en voiture de remise, la partie de campagne, pendant laquelle femme et enfants avalent joyeusement de la poussière ou se rôtissent au soleil; sa barrière est le restaurateur dont le vénéneux dîner a du renom, ou quelque bal de famille où l’on étouffe jusqu’à minuit. Certains niais s’étonnent de la Saint-Guy dont sont atteints les monades que le microscope fait apercevoir dans une goutte d’eau, mais que dirait le Gargantua de Rabelais, figure d’une sublime audace incomprise, que dirait ce géant, tombé des sphères célestes, s’il s’amusait à contempler le mouvement de cette seconde vie parisienne, dont voici l’une des formules? Avez-vous vu ces petites baraques, froides en été, sans autre foyer qu’une chaufferette en hiver, placées sous la vaste calotte de cuivre qui coiffe la halle au blé? Madame est là dès le matin, elle est Factrice aux halles et gagne à ce métier douze mille francs par an, dit-on. Monsieur, quand madame se lève, passe dans un sombre cabinet, où il prête à la petite semaine, aux commerçants de son quartier. À neuf heures, il se trouve au bureau des passe-ports, dont il est un des sous-chefs. Le soir, il est à la caisse du théâtre Italien, ou de tout autre théâtre qu’il vous plaira choisir. Les enfants sont mis en nourrice, et en reviennent pour aller au collége ou dans un pensionnat. Monsieur et madame demeurent à un troisième étage, n’ont qu’une cuisinière, donnent des bals dans un salon de douze pieds sur huit, et éclairé par des quinquets; mais ils donnent cent cinquante mille francs à leur fille, et se reposent à cinquante ans, âge auquel ils commencent à paraître aux troisièmes loges à l’Opéra, dans un fiacre à Longchamp, ou en toilette fanée, tous les jours de soleil, sur les boulevards, l’espalier de ces fructifications. Estimés dans le quartier, aimés du gouvernement, alliés à la haute bourgeoisie, Monsieur obtient à soixante-cinq ans la croix de la Légion-d’Honneur, et le père de son gendre, maire d’un arrondissement, l’invite à ses soirées. Ces travaux de toute une vie profitent donc à des enfants que cette petite bourgeoisie tend fatalement à élever jusqu’à la haute. Chaque sphère jette ainsi tout son frai dans sa sphère supérieure. Le fils du riche épicier se fait notaire, le fils du marchand de bois devient magistrat. Pas une dent ne manque à mordre sa rainure, et tout stimule le mouvement ascensionnel de l’argent.
The Girl with the Golden Eyes: Novella
p. 21His Monday is Sunday; his rest is the excursion in a hired carriage, the outing in the country, during which wife and children joyfully swallow dust or roast in the sun; his barrier is the restaurateur whose poisonous dinner has renown, or some family ball where people suffocate until midnight. Certain fools are astonished by the St. Vitus's dance with which the monads that the microscope reveals in a drop of water are afflicted, but what would Rabelais's Gargantua, figure of a misunderstood sublime audacity, what would this giant, fallen from the celestial spheres, say if he amused himself by contemplating the movement of this second Parisian life, of which here is one of the formulas? Have you seen those little huts, cold in summer, with no other hearth than a foot-warmer in winter, placed beneath the vast copper skullcap that caps the grain market? Madame is there from morning onward, she is a market commission agent and earns twelve thousand francs a year at this trade, they say. Monsieur, when Madame rises, passes into a dark office, where he lends at short weekly terms to the tradesmen of his neighborhood. At nine o'clock, he is at the passport office, of which he is one of the deputy heads. In the evening, he is at the box office of the Théâtre-Italien, or of any other theater you please to choose. The children are put out to nurse, and return from it to go to college or to a boarding school. Monsieur and Madame live on a third floor, have only one cook, give balls in a drawing room twelve feet by eight, and lit by oil lamps; but they give one hundred and fifty thousand francs to their daughter, and rest at fifty, the age at which they begin to appear in the third-tier boxes at the Opera, in a hackney cab at Longchamp, or in faded dress, on every sunny day, upon the boulevards, the espalier of these fructifications. Esteemed in the neighborhood, loved by the government, allied to the upper bourgeoisie, Monsieur obtains at sixty-five the cross of the Legion of Honor, and the father of his son-in-law, mayor of an arrondissement, invites him to his evenings. The labors of an entire life thus profit children whom this petty bourgeoisie tends fatally to raise as far as the upper one. Each sphere thus casts all its spawn into its higher sphere. The son of the rich grocer makes himself a notary, the son of the timber merchant becomes a magistrate. Not a tooth is missing to bite its groove, and everything stimulates the ascending movement of money.
Socrates
Reading The Girl with the Golden Eyes · Novella · ¶ 7
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.
Historical Text and Translation
The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.
About Diotimos Editions
Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.
Rights
Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.