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Diotimos Library · Literary Fiction Collection · Bilingual Edition

Honoré de Balzac

The Girl with the Golden Eyes

La Fille aux yeux d’or · French with an independent close English translation

The Girl with the Golden EyesNovella · ¶ 7

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English Page · Branch 8 of 66

Novella · ¶ 7

French

p. 18

Cette ambition introduit la pensée dans la seconde des sphères parisiennes. Montez donc un étage et allez à l’entresol; ou descendez du grenier et restez au quatrième; enfin pénétrez dans le monde qui a quelque chose: là, même résultat. Les commerçants en gros et leurs garçons, les employés, les gens de la petite banque et de grande probité, les fripons, les âmes damnées, les premiers et les derniers commis, les clercs de l’huissier, de l’avoué, du notaire, enfin les membres agissants, pensants, spéculateurs de cette petite bourgeoisie qui triture les intérêts de Paris et veille à son grain, accapare les denrées, enmagasine les produits fabriqués par les prolétaires, encaque les fruits du Midi, les poissons de l’Océan, les vins de toute côte aimée du soleil; qui étend les mains sur l’Orient, y prend les châles dédaignés par les Turcs et les Russes; va récolter jusque dans les Indes, se couche pour attendre la vente, aspire après le bénéfice, escompte les effets, roule et encaisse toutes les valeurs; emballe en détail Paris tout entier, le voiture, guette les fantaisies de l’enfance, épie les caprices et les vices de l’âge mûr, en pressure les maladies; hé bien, sans boire de l’eau-de-vie comme l’ouvrier, ni sans aller se vautrer dans la fange des barrières, tous excèdent aussi leurs forces; tendent outre-mesure leur corps et leur moral, l’un par l’autre; se dessèchent de désirs, s’abîment de courses précipitées. Chez eux, la torsion physique s’accomplit sous le fouet des intérêts, sous le fléau des ambitions qui tourmentent les mondes élevés de cette monstrueuse cité, comme celle des prolétaires s’est accomplie sous le cruel balancier des élaborations matérielles incessamment désirées par le despotisme du je le veux aristocrate. Là donc aussi, pour obéir à ce maître universel, le plaisir ou l’or, il faut dévorer le temps, presser le temps, trouver plus de vingt-quatre heures dans le jour et la nuit, s’énerver, se tuer, vendre trente ans de vieillesse pour deux ans d’un repos maladif. Seulement l’ouvrier meurt à l’hôpital, quand son dernier terme de rabougrissement s’est opéré, tandis que le petit bourgeois persiste à vivre et vit, mais crétinisé: vous le rencontrez la face usée, plate, vieille, sans lueur aux yeux, sans fermeté dans la jambe, se traînant d’un air hébété sur le boulevard, la ceinture de sa Vénus, de sa ville chérie. Que voulait le bourgeois? le briquet du garde national, un immuable pot-au-feu, une place décente au Père-Lachaise, et pour sa vieillesse un peu d’or légitimement gagné.

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The Girl with the Golden Eyes: Novella

p. 19

This ambition introduces thought into the second of the Parisian spheres. Go up one floor, then, and go to the mezzanine; or come down from the attic and remain on the fourth; in short, penetrate the world that has something: there, the same result. The wholesale merchants and their clerks, the employees, the people of small banking and great probity, the rogues, the damned souls, the first and the last clerks, the clerks of the bailiff, the attorney, the notary, in short the active, thinking, speculating members of that petty bourgeoisie which triturates the interests of Paris and watches over its grain, corners foodstuffs, stores the products made by the proletarians, packs in casks the fruits of the South, the fish of the Ocean, the wines of every coast loved by the sun; which stretches its hands over the Orient, there takes the shawls disdained by the Turks and the Russians; goes to harvest as far as the Indies, lies down to await the sale, aspires after profit, discounts bills, turns over and cashes all securities; packs all Paris in detail, carts it, watches for the fancies of childhood, spies upon the caprices and vices of mature age, presses out its illnesses; well, without drinking brandy like the worker, nor going to wallow in the mire of the barriers, all likewise exceed their strength; stretch beyond measure their body and their moral being, one by means of the other; dry themselves out with desires, ruin themselves with precipitate errands. Among them, physical torsion is accomplished beneath the whip of interests, beneath the scourge of the ambitions that torment the higher worlds of this monstrous city, as that of the proletarians was accomplished beneath the cruel press of the material elaborations incessantly desired by the despotism of the aristocratic I want it. There too, then, in order to obey this universal master, pleasure or gold, one must devour time, press time, find more than twenty-four hours in day and night, enervate oneself, kill oneself, sell thirty years of old age for two years of sickly rest. Only the worker dies in the hospital, when the last stage of his stunting has been completed, while the petty bourgeois persists in living and lives, but cretinized: you meet him with a worn, flat, old face, without light in his eyes, without firmness in his leg, dragging himself with a dazed air along the boulevard, the belt of his Venus, of his beloved city. What did the bourgeois want? the short saber of the National Guardsman, an unchanging pot-au-feu, a decent place in Père-Lachaise, and for his old age a little legitimately earned gold.

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About This Reading Edition

Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.

Discussion Questions

Historical Text and Translation

The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.

About Diotimos Editions

Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.

Rights

Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.