Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Girl with the Golden Eyes
La Fille aux yeux d’or · French with an independent close English translation
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French Page · Branch 64 of 66
Novella · ¶¶ 299–302
French
p. 130La Fille aux yeux d’or expirait noyée dans le sang. Tous les flambeaux allumés, un parfum délicat qui se faisait sentir, certain désordre où l’œil d’un homme à bonnes fortunes devait reconnaître des folies communes à toutes les passions, annonçaient que la marquise avait savamment questionné la coupable. Cet appartement blanc, où le sang paraissait si bien, trahissait un long combat. Les mains de Paquita étaient empreintes sur les coussins. Partout elle s’était accrochée à la vie, partout elle s’était défendue, et partout elle avait été frappée. Des lambeaux entiers de la tenture cannelée étaient arrachés par ses mains ensanglantées, qui sans doute avaient lutté long-temps. Paquita devait avoir essayé d’escalader le plafond. Ses pieds nus étaient marqués le long du dossier du divan, sur lequel elle avait sans doute couru. Son corps, déchiqueté à coups de poignard par son bourreau, disait avec quel acharnement elle avait disputé une vie qu’Henri lui rendait si chère. Elle gisait à terre, et avait, en mourant, mordu les muscles du cou-de-pied de madame de San-Réal, qui gardait à la main son poignard trempé de sang. La marquise avait les cheveux arrachés, elle était couverte de morsures dont plusieurs saignaient, et sa robe déchirée la laissait voir à demi nue, les seins égratignés. Elle était sublime ainsi. Sa tête avide et furieuse respirait l’odeur du sang. Sa bouche haletante restait entr’ouverte, et ses narines ne suffisaient pas à ses aspirations. Certains animaux, mis en fureur, fondent sur leur ennemi, le mettent à mort, et, tranquilles dans leur victoire, semblent avoir tout oublié. Il en est d’autres qui tournent autour de leur victime, qui la gardent en craignant qu’on ne la leur vienne enlever, et qui, semblables à l’Achille d’Homère, font neuf fois le tour de Troie en traînant leur ennemi par les pieds. Ainsi était la marquise. Elle ne vit pas Henri. D’abord, elle se savait trop bien seule pour craindre des témoins; puis, elle était trop enivrée de sang chaud, trop animée par la lutte, trop exaltée pour apercevoir Paris entier, si Paris avait formé un cirque autour d’elle. Elle n’aurait pas senti la foudre. Elle n’avait même pas entendu le dernier soupir de Paquita, et croyait qu’elle pouvait encore être écoutée par la morte.
- Meurs sans confession! lui disait-elle; va en enfer, monstre d’ingratitude; ne sois plus à personne qu’au démon. Pour le sang que tu lui as donné, tu me dois tout le tien! Meurs, meurs, souffre mille morts, j’ai été trop bonne, je n’ai mis qu’un moment à te tuer, j’aurais voulu te faire éprouver toutes les douleurs que tu me lègues. Je vivrai, moi! je vivrai malheureuse, je suis réduite à ne plus aimer que Dieu! Elle la contempla. - Elle est morte! se dit-elle après une pause en faisant un violent retour sur elle-même. Morte, ah! j’en mourrai de douleur!
La marquise voulut s’aller jeter sur le divan accablée par un désespoir qui lui ôtait la voix, et ce mouvement lui permit alors de voir Henri de Marsay.
- Qui es-tu? lui dit-elle en courant à lui le poignard levé.
The Girl with the Golden Eyes: Novella
p. 131The Girl with the Golden Eyes was expiring, drowned in blood. All the candles lighted, a delicate perfume that made itself felt, a certain disorder in which the eye of a man of conquests was bound to recognize follies common to all passions, announced that the marquise had skillfully questioned the guilty woman. This white apartment, where the blood showed so well, betrayed a long struggle. Paquita’s hands were imprinted on the cushions. Everywhere she had clung to life, everywhere she had defended herself, and everywhere she had been struck. Whole strips of the fluted hanging had been torn away by her bloodied hands, which had doubtless struggled for a long time. Paquita must have tried to climb the ceiling. Her bare feet were marked along the back of the divan, upon which she had doubtless run. Her body, cut to pieces by dagger blows from her executioner, said with what fury she had disputed a life that Henri made so dear to her. She lay on the ground and, while dying, had bitten the muscles of Madame de San-Réal’s instep; the latter still held in her hand her dagger soaked with blood. The marquise’s hair had been torn out; she was covered with bites, several of which were bleeding, and her torn dress let her be seen half naked, her breasts scratched. She was sublime in this state. Her avid and furious head breathed the odor of blood. Her panting mouth remained half open, and her nostrils were not enough for her inhalations. Certain animals, put into a fury, swoop upon their enemy, put him to death, and, calm in their victory, seem to have forgotten everything. There are others that circle their victim, that guard it for fear someone may come to take it from them, and that, like Homer’s Achilles, make the circuit of Troy nine times while dragging their enemy by the feet. Such was the marquise. She did not see Henri. First, she knew herself to be too completely alone to fear witnesses; then, she was too intoxicated with hot blood, too animated by the struggle, too exalted to perceive all Paris, had Paris formed an arena around her. She would not have felt the thunderbolt. She had not even heard Paquita’s last sigh and believed that she could still be heard by the dead woman.
“Die without confession!” she was saying to her. “Go to hell, monster of ingratitude; belong to no one now but the demon. For the blood you gave him, you owe me all of yours! Die, die, suffer a thousand deaths; I was too good, I took only a moment to kill you; I would have liked to make you experience all the pains you bequeath to me. I shall live, I! I shall live unhappy; I am reduced to loving no one but God!” She contemplated her. “She is dead!” she said to herself after a pause, making a violent return upon herself. “Dead, ah! I shall die of grief over it!”
The marquise moved to throw herself upon the divan, overwhelmed by a despair that deprived her of speech, and this movement then allowed her to see Henri de Marsay.
“Who are you?” she said to him, running at him with the dagger raised.
Socrates
Reading The Girl with the Golden Eyes · Novella · ¶¶ 299–302
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.
Historical Text and Translation
The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.
About Diotimos Editions
Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.
Rights
Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.