Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Girl with the Golden Eyes
La Fille aux yeux d’or · French with an independent close English translation
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Facing Pages · Branch 56 of 66
Novella · ¶¶ 223–225
French
p. 114De Marsay se leva, prit une poignée de billets de banque, les roula dans sa boîte à cigares, s’habilla et profita de la voiture de Paul pour aller au Salon des Étrangers où, jusqu’au dîner, il consuma le temps dans ces émouvantes alternatives de perte et de gain, qui sont la dernière ressource des organisations fortes, quand elles sont contraintes de s’exercer dans le vide. Le soir il vint au rendez-vous, et se laissa complaisamment bander les yeux. Puis, avec cette ferme volonté que les hommes vraiment forts ont seuls la faculté de concentrer, il porta son attention et appliqua son intelligence à deviner par quelles rues passait la voiture. Il eut une sorte de certitude d’être mené rue Saint-Lazare, et d’être arrêté à la petite porte du jardin de l’hôtel San-Réal. Quand il passa, comme la première fois, cette porte et qu’il fut mis sur un brancard porté sans doute par le mulâtre et par le cocher, il comprit, en entendant crier le sable sous leurs pieds, pourquoi l’on prenait de si minutieuses précautions. Il aurait pu, s’il avait été libre, ou s’il avait marché, cueillir une branche d’arbuste, regarder la nature du sable qui se serait attaché à ses bottes; tandis que, transporté pour ainsi dire aériennement dans un hôtel inaccessible, sa bonne fortune devait être ce qu’elle avait été jusqu’alors, un rêve. Mais, pour le désespoir de l’homme, il ne peut rien faire que d’imparfait, soit en bien soit en mal. Toutes ses œuvres intellectuelles ou physiques sont signées par une marque de destruction. Il avait plu légèrement, la terre était humide. Pendant la nuit certaines odeurs végétales sont beaucoup plus fortes que pendant le jour, Henri sentit donc les parfums du réséda le long de l’allée par laquelle il était convoyé. Cette indication devait l’éclairer dans les recherches qu’il se promettait de faire pour reconnaître l’hôtel où se trouvait le boudoir de Paquita. Il étudia de même les détours que ses porteurs firent dans la maison, et crut pouvoir se les rappeler. Il se vit comme la veille sur l’ottomane, devant Paquita qui lui défaisait son bandeau; mais il la vit pâle et changée. Elle avait pleuré. Agenouillée comme un ange en prière, mais comme un ange triste et profondément mélancolique, la pauvre fille ne ressemblait plus à la curieuse, à l’impatiente, à la bondissante créature qui avait pris de Marsay sur ses ailes pour le transporter dans le septième ciel de l’amour. Il y avait quelque chose de si vrai dans ce désespoir voilé par le plaisir, que le terrible de Marsay sentit en lui-même une admiration pour ce nouveau chef-d’œuvre de la nature, et oublia momentanément l’intérêt principal de ce rendez-vous.
- Qu’as-tu donc, ma Paquita?
- Mon ami, dit-elle, emmène-moi, cette nuit même! Jette-moi quelque part où l’on ne puisse pas dire en me voyant: Voici Paquita; où personne ne réponde: Il y a ici une fille au regard doré, qui a de longs cheveux. Là je te donnerai des plaisirs tant que tu voudras en recevoir de moi. Puis, quand tu ne m’aimeras plus, tu me laisseras, je ne me plaindrai pas, je ne dirai rien; et mon abandon ne devra te causer aucun remords, car un jour passé près de toi, un seul jour pendant lequel je t’aurai regardé, m’aura valu toute une vie. Mais si je reste ici, je suis perdue.
The Girl with the Golden Eyes: Novella
p. 115De Marsay rose, took a handful of banknotes, rolled them in his cigar case, dressed, and took advantage of Paul’s carriage to go to the Salon des Étrangers, where, until dinner, he consumed time in those moving alternations of loss and gain which are the last resource of strong constitutions when they are constrained to exercise themselves in emptiness. In the evening he came to the rendezvous and obligingly allowed himself to be blindfolded. Then, with that firm will which truly strong men alone have the faculty of concentrating, he directed his attention and applied his intelligence to guessing through which streets the carriage passed. He had a kind of certainty that he was being taken to the rue Saint-Lazare and stopped at the small garden door of the San-Réal mansion. When, as on the first occasion, he passed through this door and was put on a stretcher borne doubtless by the mulatto and the coachman, he understood, on hearing the sand cry beneath their feet, why such minute precautions were taken. He could, had he been free, or had he walked, have picked a branch from a shrub, examined the nature of the sand that would have clung to his boots; whereas, carried so to speak through the air into an inaccessible mansion, his good fortune had to be what it had been until then, a dream. But, to man’s despair, he can do nothing except imperfectly, either in good or in evil. All his intellectual or physical works are signed with a mark of destruction. It had rained lightly; the earth was damp. During the night certain vegetal odors are much stronger than during the day; Henri therefore smelled the perfumes of mignonette along the path by which he was being conveyed. This indication was to enlighten him in the searches he promised himself he would make in order to recognize the mansion where Paquita’s boudoir was situated. He likewise studied the turns his bearers made in the house and believed he could remember them. He saw himself, as the day before, on the ottoman before Paquita, who was undoing his blindfold; but he saw her pale and changed. She had wept. Kneeling like an angel at prayer, but like a sad and profoundly melancholy angel, the poor girl no longer resembled the curious, impatient, bounding creature who had taken de Marsay upon her wings to carry him into the seventh heaven of love. There was something so true in this despair veiled by pleasure that the terrible de Marsay felt within himself an admiration for this new masterpiece of nature and momentarily forgot the principal interest of this rendezvous.
“What is the matter with you, my Paquita?”
“My friend,” she said, “take me away, this very night! Cast me somewhere where, on seeing me, no one can say: ‘Here is Paquita’; where no one will answer: ‘There is here a girl with a golden gaze, who has long hair.’ There I will give you pleasures for as long as you want to receive them from me. Then, when you no longer love me, you will leave me; I will not complain, I will say nothing; and my abandonment ought to cause you no remorse, for one day spent near you, a single day during which I shall have looked at you, will have been worth a whole lifetime to me. But if I remain here, I am lost.”
Socrates
Reading The Girl with the Golden Eyes · Novella · ¶¶ 223–225
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.
Historical Text and Translation
The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.
About Diotimos Editions
Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.
Rights
Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.