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Diotimos Library · Literary Fiction Collection · Bilingual Edition

Honoré de Balzac

The Girl with the Golden Eyes

La Fille aux yeux d’or · French with an independent close English translation

The Girl with the Golden EyesNovella · ¶¶ 138–144

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French Page · Branch 42 of 66

Novella · ¶¶ 138–144

French

p. 86

- Après, dit-elle en restant absorbée comme une femme faible devant la hache du bourreau et tuée d’avance par une crainte qui la dépouillait de cette magnifique énergie que la nature semblait ne lui avoir départie que pour agrandir les voluptés et pour convertir en poèmes sans fin les plaisirs les plus grossiers. - Après, répéta-t-elle. Ses yeux devinrent fixes; elle parut contempler un objet éloigné, menaçant. - Je ne sais pas, dit-elle.

- Cette fille est folle, se dit Henri, qui tomba lui-même en des réflexions étranges.

Paquita lui parut occupée de quelque chose qui n’était pas lui, comme une femme également contrainte et par le remords et par la passion. Peut-être avait-elle dans le cœur un autre amour qu’elle oubliait et se rappelait tour à tour. En un moment, Henri fut assailli de mille pensées contradictoires. Pour lui cette fille devint un mystère; mais, en la contemplant avec la savante attention de l’homme blasé, affamé de voluptés nouvelles, comme ce roi d’Orient qui demandait qu’on lui créât un plaisir, soif horrible, dont les grandes âmes sont saisies, Henri reconnaissait dans Paquita la plus riche organisation que la nature se fût complu à composer pour l’amour. Le jeu présumé de cette machine, l’âme mise à part, eût effrayé tout autre homme que de Marsay; mais il fut fasciné par cette riche moisson de plaisirs promis, par cette constante variété dans le bonheur, le rêve de tout homme, et que toute femme aimante ambitionne aussi. Il fut affolé par l’infini rendu palpable et transporté dans les plus excessives jouissances de la créature. Il vit tout cela dans cette fille plus distinctement qu’il ne l’avait encore vu, car elle se laissait complaisamment voir, heureuse d’être admirée. L’admiration de de Marsay devint une rage secrète, et il la dévoila tout entière en lançant un regard que comprit l’Espagnole, comme si elle était habituée à en recevoir de semblables.

- Si tu ne devais pas être à moi seul, je te tuerais! s’écria-t-il.

En entendant ce mot, Paquita se voila le visage de ses mains et s’écria naïvement: - Sainte Vierge, où me suis-je fourrée!

Elle se leva, s’alla jeter sur le canapé rouge, se plongea la tête dans les haillons qui couvraient le sein de sa mère, et y pleura. La vieille reçut sa fille sans sortir de son immobilité, sans lui rien témoigner. La mère possédait au plus haut degré cette gravité des peuplades sauvages, cette impassibilité de la statuaire sur laquelle échoue l’observation. Aimait-elle, n’aimait-elle pas sa fille? Nulle réponse. Sous ce masque couvaient tous les sentiments humains, les bons et les mauvais, et l’on pouvait tout attendre de cette créature. Son regard allait lentement des beaux cheveux de sa fille, qui la couvraient comme d’une mantille, à la figure d’Henri, qu’elle observait avec une inexprimable curiosité. Elle semblait se demander par quel sortilége il était là, par quel caprice la nature avait fait un homme si séduisant.

- Ces femmes se moquent de moi! se dit Henri.

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The Girl with the Golden Eyes: Novella

p. 87

“Afterward,” she said, remaining absorbed like a weak woman before the executioner's axe and killed in advance by a fear that stripped her of that magnificent energy which nature seemed to have allotted to her only to enlarge sensual pleasures and convert the grossest pleasures into poems without end. “Afterward,” she repeated. Her eyes became fixed; she appeared to contemplate a distant, threatening object. “I do not know,” she said.

“This girl is mad,” Henri said to himself, and himself fell into strange reflections.

Paquita appeared to him occupied with something that was not him, like a woman constrained equally by remorse and by passion. Perhaps she had in her heart another love that she forgot and recalled by turns. In a moment, Henri was assailed by a thousand contradictory thoughts. For him this girl became a mystery; but, contemplating her with the learned attention of the jaded man, famished for new sensual pleasures, like that king of the East who demanded that a pleasure be created for him, a horrible thirst by which great souls are seized, Henri recognized in Paquita the richest organization that nature had taken pleasure in composing for love. The presumed action of this machine, the soul set apart, would have frightened any man other than de Marsay; but he was fascinated by this rich harvest of promised pleasures, by this constant variety in happiness, the dream of every man, and which every loving woman also aspires to. He was driven mad by the infinite made palpable and transported into the creature's most excessive gratifications. He saw all this in this girl more distinctly than he had yet seen it, for she complacently allowed herself to be seen, happy to be admired. De Marsay's admiration became a secret rage, and he disclosed it entire by casting a look that the Spanish girl understood, as though she were accustomed to receiving similar ones.

“If you were not to be mine alone, I would kill you!” he cried.

On hearing this word, Paquita veiled her face with her hands and cried naïvely, “Holy Virgin, where have I gotten myself into!”

She rose, went to throw herself upon the red sofa, plunged her head into the rags covering her mother's breast, and wept there. The old woman received her daughter without leaving her immobility, without showing her any feeling. The mother possessed to the highest degree that gravity of savage peoples, that impassivity of statuary upon which observation founders. Did she love, did she not love her daughter? No answer. Beneath this mask all human feelings smoldered, the good and the bad, and everything could be expected from this creature. Her gaze went slowly from her daughter's beautiful hair, which covered her as with a mantilla, to Henri's face, which she observed with inexpressible curiosity. She seemed to ask herself by what spell he was there, by what caprice nature had made so seductive a man.

“These women are making fun of me!” Henri said to himself.

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About This Reading Edition

Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.

Discussion Questions

Historical Text and Translation

The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.

About Diotimos Editions

Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.

Rights

Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.