Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Girl with the Golden Eyes
La Fille aux yeux d’or · French with an independent close English translation
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French Page · Branch 21 of 66
Novella · ¶¶ 15–16
French
p. 44Vers la fin de 1814, Henri de Marsay n’avait donc sur terre aucun sentiment obligatoire et se trouvait libre autant que l’oiseau sans compagne. Quoiqu’il eût vingt-deux ans accomplis, il paraissait en avoir à peine dix-sept. Généralement, les plus difficiles de ses rivaux le regardaient comme le plus joli garçon de Paris. De son père, lord Dudley, il avait pris les yeux bleus les plus amoureusement décevants; de sa mère, les cheveux noirs les plus touffus; de tous deux, un sang pur, une peau de jeune fille, un air doux et modeste, une taille fine et aristocratique, de fort belles mains. Pour une femme, le voir, c’était en être folle; vous savez? concevoir un de ces désirs qui mordent le cœur, mais qui s’oublient par impossibilité de le satisfaire, parce que la femme est vulgairement à Paris sans ténacité. Peu d’entre elles se disent à la manière des hommes, le: je maintiendrai de la maison d’Orange. Sous cette fraîcheur de vie, et malgré l’eau limpide de ses yeux, Henri avait un courage de lion, une adresse de singe. Il coupait une balle à dix pas dans la lame d’un couteau; montait à cheval de manière à réaliser la fable du centaure; conduisait avec grâce une voiture à grandes guides; était leste comme Chérubin et tranquille comme un mouton; mais il savait battre un homme du faubourg au terrible jeu de la savate ou du bâton; puis, il touchait du piano de manière à pouvoir se faire artiste s’il tombait dans le malheur, et possédait une voix qui lui aurait valu de Barbaja, cinquante mille francs par saison. Hélas toutes ces belles qualités, ces jolis défauts étaient ternis par un épouvantable vice: il ne croyait ni aux hommes ni aux femmes, ni à Dieu ni au diable. La capricieuse nature avait commencé à le douer; un prêtre l’avait achevé.
Pour rendre cette aventure compréhensible, il est nécessaire d’ajouter ici que lord Dudley trouva naturellement beaucoup de femmes disposées à tirer quelques exemplaires d’un si délicieux portrait. Son second chef-d’œuvre en ce genre fut une jeune fille nommée Euphémie, née d’une dame espagnole, élevée à la Havane, ramenée à Madrid avec une jeune créole des Antilles, avec les goûts ruineux des colonies; mais heureusement mariée à un vieux et puissamment riche seigneur espagnol, don Hijos, marquis de San-Réal qui, depuis l’occupation de l’Espagne par les troupes françaises, était venu habiter Paris, et demeurait rue Saint-Lazare. Autant par insouciance que par respect pour l’innocence du jeune âge, lord Dudley ne donna point avis à ses enfants des parentés qu’il leur créait partout. Ceci est un léger inconvénient de la civilisation, elle a tant d’avantages, il faut lui passer ses malheurs en faveur de ses bienfaits. Lord Dudley, pour n’en plus parler, vint, en 1816, se réfugier à Paris, afin d’éviter les poursuites de la justice anglaise qui, de l’Orient, ne protége que la marchandise. Le lord voyageur demanda quel était ce beau jeune homme en voyant Henri. Puis, en l’entendant nommer: - Ah! c’est mon fils. Quel malheur! dit-il.
The Girl with the Golden Eyes: Novella
p. 45Toward the end of 1814, Henri de Marsay therefore had upon earth no obligatory feeling and found himself as free as the bird without a mate. Although he was fully twenty-two, he appeared scarcely seventeen. Generally, the most difficult of his rivals regarded him as the prettiest boy in Paris. From his father, Lord Dudley, he had taken the most amorously deceptive blue eyes; from his mother, the thickest black hair; from both, pure blood, a young girl's skin, a gentle and modest air, a fine and aristocratic figure, very beautiful hands. For a woman, to see him was to be mad about him; you know? to conceive one of those desires that bite the heart, but that are forgotten through the impossibility of satisfying it, because in Paris woman is commonly without tenacity. Few of them say to themselves, in the manner of men, the House of Orange's: I will maintain. Beneath this freshness of life, and despite the limpid water of his eyes, Henri had the courage of a lion, the dexterity of a monkey. At ten paces he split a bullet upon the blade of a knife; rode a horse in such a way as to realize the fable of the centaur; gracefully drove a carriage with long reins; was nimble as Cherubino and placid as a sheep; but he knew how to beat a man of the faubourg at the terrible game of savate or the stick; then he played the piano in such a way that he could make himself an artist if he fell into misfortune, and possessed a voice that would have earned him, from Barbaja, fifty thousand francs per season. Alas, all these fine qualities, these pretty defects, were tarnished by a frightful vice: he believed neither in men nor in women, neither in God nor in the devil. Capricious nature had begun to endow him; a priest had finished him.
To make this adventure comprehensible, it is necessary to add here that Lord Dudley naturally found many women disposed to strike off a few copies of so delightful a portrait. His second masterpiece of this kind was a young girl named Euphémie, born of a Spanish lady, raised in Havana, brought back to Madrid with a young Creole woman from the Antilles, with the ruinous tastes of the colonies; but fortunately married to an old and powerfully rich Spanish lord, Don Hijos, Marquis de San-Réal, who, since the occupation of Spain by the French troops, had come to live in Paris, and resided in the rue Saint-Lazare. As much through unconcern as through respect for the innocence of tender age, Lord Dudley gave his children no notice of the kinships he was creating for them everywhere. This is a slight disadvantage of civilization, it has so many advantages, its misfortunes must be pardoned for the sake of its benefits. Lord Dudley, to speak of him no more, came in 1816 to take refuge in Paris, in order to avoid the proceedings of English justice, which protects nothing from the Orient but merchandise. On seeing Henri, the traveling lord asked who this handsome young man was. Then, on hearing him named: “Ah! He is my son. What a misfortune!” he said.
Socrates
Reading The Girl with the Golden Eyes · Novella · ¶¶ 15–16
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Honoré de Balzac’s The Girl with the Golden Eyes turns Paris into a charged study of wealth, appetite, spectacle, secrecy, possession, and power. This exact page-aligned Literary Fiction edition presents the novella’s continuous movement in French with an independent close English translation prepared by Diotimos Editions.
Historical Text and Translation
The French reading text follows the 1843 Furne edition as presented in the Furne corrigé transcription at eBalzac and is checked, where needed, against the Gallica image of the volume. The original hierarchy, dedication to Eugène Delacroix, continuous sectioning, and closing 1834–1835 dateline are retained.
About Diotimos Editions
Diotimos Editions prepared this independent close translation directly from the French. Meaning, agency, logic, degree, reference, image, repetition, and ambiguity take precedence over elegance; Balzac’s clause order and long accumulations remain wherever grammatical English can bear them.
Rights
Balzac’s French source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.