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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook II · Lines 841–864

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Ancient Greek Page · Branch 93 of 245

Book II · Lines 841–864

Ancient Greek

p. 192
Line II.841: καὶ δή τοι κέχυται τοῦδʼ ἀνέρος ἐν χθονὶ κείνῃLine II.842: τύμβος· σῆμα δʼ ἔπεστι καὶ ὀψιγόνοισιν ἰδέσθαι,Line II.843: νηίου ἐκ κοτίνοιο φάλαγξ· θαλέθει δέ τε φύλλοιςLine II.844: ἄκρης τυτθὸν ἔνερθʼ Ἀχερουσίδος. εἰ δέ με καὶ τὸLine II.845: χρειὼ ἀπηλεγέως Μουσέων ὕπο γηρύσασθαι,Line II.846: τόνδε πολισσοῦχον διεπέφραδε ΒοιωτοῖσινLine II.847: Νισαίοισί τε Φοῖβος ἐπιρρήδην ἱλάεσθαι,Line II.848: ἀμφὶ δὲ τήνγε φάλαγγα παλαιγενέος κοτίνοιοLine II.849: ἄστυ βαλεῖν· οἱ δʼ ἀντὶ θεουδέος ΑἰολίδαοLine II.850: Ἴδμονος εἰσέτι νῦν Ἀγαμήστορα κυδαίνουσιν.Line II.851: τίς γὰρ δὴ θάνεν ἄλλος; ἐπεὶ καὶ ἔτʼ αὖτις ἔχευανLine II.852: ἥρωες τότε τύμβον ἀποφθιμένου ἑτάροιο.Line II.853: δοιὰ γὰρ οὖν κείνων ἔτι σήματα φαίνεται ἀνδρῶν.Line II.854: Ἁγνιάδην Τῖφυν θανέειν φάτις· οὐδέ οἱ ἦενLine II.855: μοῖρʼ ἔτι ναυτίλλεσθαι ἑκαστέρω. ἀλλά νυ καὶ τὸνLine II.856: αὖθι μινυνθαδίη πάτρης ἑκὰς εὔνασε νοῦσος,Line II.857: εἰσότʼ Ἀβαντιάδαο νέκυν κτερέιξεν ὅμιλος.Line II.858: ἄτλητον δʼ ὀλοῷ ἐπὶ πήματι κῆδος ἕλοντο.Line II.859: δὴ γὰρ ἐπεὶ καὶ τόνδε παρασχεδὸν ἐκτερέιξανLine II.860: αὐτοῦ, ἀμηχανίῃσιν ἁλὸς προπάροιθε πεσόντες,Line II.861: ἐντυπὰς εὐκήλως εἰλυμένοι οὔτε τι σίτουLine II.862: μνώοντʼ οὔτε ποτοῖο· κατήμυσαν δʼ ἀχέεσσινLine II.863: θυμόν, ἐπεὶ μάλα πολλὸν ἀπʼ ἐλπίδος ἔπλετο νόστος.Line II.864: καί νύ κʼ ἔτι προτέρω τετιημένοι ἰσχανόωντο,
192

The Argonautica: Book II

p. 193

And so in that land a barrow now lies heaped for Idmon,

a sign stands there for later generations to behold:

a ship's launching-roller made of wild olive wood; it flourishes

in dense leaves just under Acherusian Cape. And if I too

must speak this needful truth unswervingly beneath the Muses,

Phoebus expressly told both Boeotians and Nisaeans

to honor hero Idmon as the city's guardian spirit,

and build their city round the roller of the ancient olive;

but there they honor someone else in the Aeolid's place,

Agamestor, not god-revering Idmon, to this day.

Who was the next to die? For once again the heroes heaped

a memorial barrow for their fallen comrade newly dead.

Two visible memorials of those men still remain.

Tradition says that Tiphys, Hagnias' son, died too;

it was no longer his fate to sail still farther. A brief

sickness laid him low, far from his home, when all

the crew had honored Abas' son with funeral rites.

At this cruel loss unbearable grief seized the heroes;

for once they buried Tiphys too, in very truth, beside

the other, they fell helpless on the ground before the sea,

curled close and silent, they gave no thought to any food,

or drink; their spirits drooped beneath the weight of sorrow,

because their homeward passage stood far outside all hope.

In their deep sorrow they would have held back even longer,

193

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.