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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook II · Lines 289–312

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Ancient Greek Page · Branch 70 of 245

Book II · Lines 289–312

Ancient Greek

p. 146
Line II.289: Ἁρπυίας, μεγάλοιο Διὸς κύνας· ὅρκια δʼ αὐτὴLine II.290: δώσω ἐγών, ὡς οὔ οἱ ἔτι χρίμψουσιν ἰοῦσαι.Line II.291: ὧς φαμένη λοιβὴν Στυγὸς ὤμοσεν, ἥ τε θεοῖσινLine II.292: ῥιγίστη πάντεσσιν ὀπιδνοτάτη τε τέτυκται,Line II.293: μὴ μὲν Ἀγηνορίδαο δόμοις ἔτι τάσδε πελάσσαιLine II.294: εἰσαῦτις Φινῆος, ἐπεὶ καὶ μόρσιμον ἦεν.Line II.295: οἱ δʼ ὅρκῳ εἴξαντες ὑπέστρεφον ἂψ ἐπὶ νῆαLine II.296: σώεσθαι. Στροφάδας δὲ μετακλείουσʼ ἄνθρωποιLine II.297: νήσους τοῖό γʼ ἕκητι, πάρος Πλωτὰς καλέοντες.Line II.298: Ἄρπυιαί τʼ Ἶρίς τε διέτμαγεν. αἱ μὲν ἔδυσανLine II.299: κευθμῶνα Κρήτης Μινωίδος· ἡ δʼ ἀνόρουσενLine II.300: Οὔλυμπόνδε, θοῇσι μεταχρονίη πτερύγεσσιν.Line II.301: τόφρα δʼ ἀριστῆες πινόεν περὶ δέρμα γέροντοςLine II.302: πάντῃ φοιβήσαντες ἐπικριδὸν ἱρεύσαντοLine II.303: μῆλα, τά τʼ ἐξ Ἀμύκοιο λεηλασίης ἐκόμισσαν.Line II.304: αὐτὰρ ἐπεὶ μέγα δόρπον ἐνὶ μεγάροισιν ἔθεντο,Line II.305: δαίνυνθʼ ἑζόμενοι· σὺν δέ σφισι δαίνυτο ΦινεὺςLine II.306: ἁρπαλέως, οἷόν τʼ ἐν ὀνείρασι θυμὸν ἰαίνων.Line II.307: ἔνθα δʼ, ἐπεὶ δόρποιο κορέσσαντʼ ἠδὲ ποτῆτος,Line II.308: παννύχιοι Βορέω μένον υἱέας ἐγρήσσοντες.Line II.309: αὐτὸς δʼ ἐν μέσσοισι παρʼ ἐσχάρῃ ἧστο γεραιὸςLine II.310: πείρατα ναυτιλίης ἐνέπων ἄνυσίν τε κελεύθου·Line II.311: κλῦτέ νυν. οὐ μὲν πάντα πέλει θέμις ὔμμι δαῆναιLine II.312: ἀτρεκές· ὅσσα δʼ ὄρωρε θεοῖς φίλον, οὐκ ἐπικεύσω.
146

The Argonautica: Book II

p. 147

the Harpies with sharp swords, those hounds of mighty Zeus;

but I myself pledge they shall never come close to him again.”

So Iris spoke and swore by Styx's streaming water,

most dread and most revered to every one of the gods,

that never again would these draw near the house of

Phineus, Agenor's son, since fate had so ordained.

They yielded to her oath and turned again toward the ship

to speed back. Men call those islands the Strophades

for that very cause; before, they called them the Plotae.

The Harpies and Iris parted ways. The Harpies plunged

into their den in Minoan Crete; but Iris sprang

toward Olympus, soaring high aloft on swift wings.

Meanwhile the heroes cleansed the old man's filthy skin

all round, then carefully sacrificed the chosen victims,

sheep carried away in the sack of Amycus' holdings.

They spread a mighty banquet wide across the hall,

they sat and feasted; Phineus feasted there among them,

ravenously, while dreamlike joy warmed all his heart.

There, once supper and drink had sated them fully,

all night they watched, awaiting Boreas' two sons.

The old man sat among them, close beside the hearth,

declaring voyage's bounds and how their road would end:

“Now listen. It is not lawful you should learn all things

exactly; what the gods will, though, I shall not conceal.

147

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.