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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook II · Lines 49–72

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Facing Pages · Branch 60 of 245

Book II · Lines 49–72

Ancient Greek

p. 126
Line II.49: ἑστηὼς εἰς αὐτὸν ἔχʼ ὄμματα, καί οἱ ὀρέχθειLine II.50: θυμὸς ἐελδομένῳ στηθέων ἐξ αἷμα κεδάσσαι.Line II.51: τοῖσι δὲ μεσσηγὺς θεράπων Ἀμύκοιο ΛυκωρεὺςLine II.52: θῆκε πάροιθε ποδῶν δοιοὺς ἑκάτερθεν ἱμάνταςLine II.53: ὠμούς, ἀζαλέους, περὶ δʼ οἵγʼ ἔσαν ἐσκληῶτες.Line II.54: αὐτὰρ ὁ τόνγʼ ἐπέεσσιν ὑπερφιάλοισι μετηύδα·Line II.55: τῶνδέ τοι ὅν κʼ ἐθέλῃσθα, πάλου ἄτερ ἐγγυαλίξωLine II.56: αὐτὸς ἑκών, ἵνα μή μοι ἀτέμβηαι μετόπισθεν.Line II.57: ἀλλὰ βάλευ περὶ χειρί· δαεὶς δέ κεν ἄλλῳ ἐνίσποις,Line II.58: ὅσσον ἐγὼ ῥινούς τε βοῶν περίειμι ταμέσθαιLine II.59: ἀζαλέας, ἀνδρῶν τε παρηίδας αἵματι φύρσαι.Line II.60: ὧς ἔφατʼ· αὐτὰρ ὅγʼ οὔτι παραβλήδην ἐρίδηνεν.Line II.61: ἦκα δὲ μειδήσας, οἵ οἱ παρὰ ποσσὶν ἔκειντο,Line II.62: τοὺς ἕλεν ἀπροφάτως· τοῦ δʼ ἀντίος ἤλυθε ΚάστωρLine II.63: ἠδὲ Βιαντιάδης Ταλαὸς μέγας· ὦκα δʼ ἱμάνταςLine II.64: ἀμφέδεον, μάλα πολλὰ παρηγορέοντες ἐς ἀλκήν.Line II.65: τῷ δʼ αὖτʼ Ἄρητός τε καὶ Ὄρνυτος, οὐδέ τι ᾔδεινLine II.66: νήπιοι ὕστατα κεῖνα κακῇ δήσαντες ἐν αἴσῃ.Line II.67: οἱ δʼ ἐπεὶ οὖν ἱμᾶσι διασταδὸν ἠρτύναντο,Line II.68: αὐτίκʼ ἀνασχόμενοι ῥεθέων προπάροιθε βαρείαςLine II.69: χεῖρας, ἐπʼ ἀλλήλοισι μένος φέρον ἀντιόωντες.Line II.70: ἔνθα δὲ Βεβρύκων μὲν ἄναξ, ἅ τε κῦμα θαλάσσηςLine II.71: τρηχὺ θοὴν ἐπὶ νῆα κορύσσεται, ἡ δʼ ὑπὸ τυτθὸνLine II.72: ἰδρείῃ πυκινοῖο κυβερνητῆρος ἀλύσκει,
126

The Argonautica: Book II

p. 127

and fixed his staring eyes on him; his spirit surged within,

craving to scatter blood out from his rival's chest.

Between the two stood Lycoreus, servant of Amycus,

and laid two thongs apiece before each fighter's feet,

raw and dry, with hardened ridges running all around them.

Then Amycus addressed Polydeuces with proud, overbearing words:

“Whichever pair you choose, I give without a lot,

freely and willingly, so no later blame falls on me.

Now bind them round your hands. Once taught, you can tell another

how far I surpass all men at slicing dry oxhides,

and how I smear men's cheeks with blood.”

So he spoke; Polydeuces offered no taunt in return.

With a soft smile he took the pair beside his feet

without hesitation. Castor came to stand before him,

with mighty Talaus, Bias' son; swiftly the thongs

they bound around his hands, with constant words of courage.

To Amycus came Aretus and Ornytus, knowing nothing--

poor fools: in evil fate they bound those thongs for the last time.

When both had readied thongs and taken stands apart,

at once they raised their heavy hands to shield their faces,

and met, each carrying force against the other.

Then the Bebrycian king came on like a wave of ocean,

rising with rugged crest against a swift ship, which narrowly

escapes the crushing blow through a clever helmsman's skill,

127

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.