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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook II · Lines 25–48

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Book II · Lines 25–48

Ancient Greek

p. 124
Line II.25: ὧς φάτʼ ἀπηλεγέως· ὁ δʼ ἐσέδρακεν ὄμμαθʼ ἑλίξας,Line II.26: ὥστε λέων ὑπʼ ἄκοντι τετυμμένος, ὅν τʼ ἐν ὄρεσσινLine II.27: ἀνέρες ἀμφιπένονται· ὁ δʼ ἰλλόμενός περ ὁμίλῳLine II.28: τῶν μὲν ἔτʼ οὐκ ἀλέγει, ἐπὶ δʼ ὄσσεται οἰόθεν οἶονLine II.29: ἄνδρα τόν, ὅς μιν ἔτυψε παροίτατος, οὐδʼ ἐδάμασσεν.Line II.30: ἔνθʼ ἀπὸ Τυνδαρίδης μὲν ἐύστιπτον θέτο φᾶροςLine II.31: λεπταλέον, τό ῥά οἵ τις ἑὸν ξεινήιον εἶναιLine II.32: ὤπασε Λημνιάδων· ὁ δʼ ἐρεμνὴν δίπτυχα λώπηνLine II.33: αὐτῇσιν περόνῃσι καλαύροπά τε τρηχεῖανLine II.34: κάββαλε, τὴν φορέεσκεν, ὀριτρεφέος κοτίνοιο.Line II.35: αὐτίκα δʼ ἐγγύθι χῶρον ἑαδότα παπτήναντεςLine II.36: ἷζον ἑοὺς δίχα πάντας ἐνὶ ψαμάθοισιν ἑταίρους,Line II.37: οὐ δέμας, οὐδὲ φυὴν ἐναλίγκιοι εἰσοράασθαι.Line II.38: ἀλλʼ ὁ μὲν ἢ ὀλοοῖο Τυφωέος, ἠὲ καὶ αὐτῆςLine II.39: Γαίης εἶναι ἔικτο πέλωρ τέκος, οἷα πάροιθενLine II.40: χωομένη Διὶ τίκτεν· ὁ δʼ οὐρανίῳ ἀτάλαντοςLine II.41: ἀστέρι Τυνδαρίδης, οὗπερ κάλλισται ἔασινLine II.42: ἑσπερίην διὰ νύκτα φαεινομένου ἀμαρυγαί.Line II.43: τοῖος ἔην Διὸς υἱός, ἔτι χνοάοντας ἰούλουςLine II.44: ἀντέλλων, ἔτι φαιδρὸς ἐν ὄμμασιν. ἀλλά οἱ ἀλκὴLine II.45: καὶ μένος ἠύτε θηρὸς ἀέξετο· πῆλε δὲ χεῖραςLine II.46: πειράζων, εἴθʼ ὡς πρὶν ἐυτρόχαλοι φορέονται,Line II.47: μηδʼ ἄμυδις καμάτῳ τε καὶ εἰρεσίῃ βαρύθοιενLine II.48: οὐ μὰν αὖτʼ Ἄμυκος πειρήσατο· σῖγα δʼ ἄπωθεν
124

The Argonautica: Book II

p. 125

He spoke unflinching. Amycus glared, his eyes rolling,

as a lion struck and wounded by a spear high in mountains,

while men crowd round him; though tightly hemmed in their throng,

he heeds them no longer, but fixes both eyes on one man--

the man who struck him first and failed to bring him down.

Then Tyndareus' son laid off his dense-woven mantle,

fine-spun, which one Lemnian woman gave as a guest-gift;

and Amycus cast down his dark cloak, folded double,

its brooches and the rough staff used to drive his cattle,

which he carried, cut from wild olive high on the mountain.

At once they searched and chose a nearby place that pleased them,

then seated all their comrades, split in two, on the sand.

The pair looked nothing alike in build or stature.

For one seemed sprung from baleful Typhoeus himself,

or Gaia's own: a monster such as once she brought forth

in wrath against Zeus; but Tyndareus' son matched a star--

a heavenly star, whose shining rays are loveliest of all

when it shines bright through deep night at the fall of evening.

Such was the son of Zeus; the first down on his cheeks

was only rising, his eyes still bright; yet strength lived within him,

and fury grew like a beast's; he swung his hands out wide,

testing them: did they still move freely, just as before,

or had hard work and rowing weighed them down together?

But Amycus made no trial; he stood far off in silence,

125

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.