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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 1154–1177

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Facing Pages · Branch 49 of 245

Book I · Lines 1154–1177

Ancient Greek

p. 102
Line I.1154: ὅστις ἀπολλήξειε πανύστατος. ἀμφὶ γὰρ αἰθὴρLine I.1155: νήνεμος ἐστόρεσεν δίνας, κατὰ δʼ εὔνασε πόντον.Line I.1156: οἱ δὲ γαληναίῃ πίσυνοι ἐλάασκον ἐπιπρὸLine I.1157: νῆα βίῃ· τὴν δʼ οὔ κε διὲξ ἁλὸς ἀίσσουσανLine I.1158: οὐδὲ Ποσειδάωνος ἀελλόποδες κίχον ἵπποι.Line I.1159: ἔμπης δʼ ἐγρομένοιο σάλου ζαχρηέσιν αὔραις,Line I.1160: αἳ νέον ἐκ ποταμῶν ὑπὸ δείελον ἠερέθονται,Line I.1161: τειρόμενοι καὶ δὴ μετελώφεον· αὐτὰρ ὁ τούσγεLine I.1162: πασσυδίῃ μογέοντας ἐφέλκετο κάρτεϊ χειρῶνLine I.1163: Ἡρακλέης, ἐτίνασσε δʼ ἀρηρότα δούρατα νηός.Line I.1164: ἀλλʼ ὅτε δὴ Μυσῶν λελιημένοι ἠπείροιοLine I.1165: Ῥυνδακίδας προχοὰς μέγα τʼ ἠρίον ΑἰγαίωνοςLine I.1166: τυτθὸν ὑπὲκ Φρυγίης παρεμέτρεον εἰσορόωντες,Line I.1167: δὴ τότʼ ἀνοχλίζων τετρηχότος οἴδματος ὁλκοὺςLine I.1168: μεσσόθεν ἆξεν ἐρετμόν. ἀτὰρ τρύφος ἄλλο μὲν αὐτὸςLine I.1169: ἄμφω χερσὶν ἔχων πέσε δόχμιος, ἄλλο δὲ πόντοςLine I.1170: κλύζε παλιρροθίοισι φέρων. ἀνὰ δʼ ἕζετο σιγῇLine I.1171: παπταίνων· χεῖρες γὰρ ἀήθεον ἠρεμέουσαι.Line I.1172: ἦμος δʼ ἀγρόθεν εἶσι φυτοσκάφος ἤ τις ἀροτρεὺςLine I.1173: ἀσπασίως εἰς αὖλιν ἑήν, δόρποιο χατίζων,Line I.1174: αὐτοῦ δʼ ἐν προμολῇ τετρυμένα γούνατʼ ἔκαμψενLine I.1175: αὐσταλέος κονίῃσι, περιτριβέας δέ τε χεῖραςLine I.1176: εἰσορόων κακὰ πολλὰ ἑῇ ἠρήσατο γαστρί·Line I.1177: τῆμος ἄρʼ οἵγʼ ἀφίκοντο Κιανίδος ἤθεα γαίης
102

The Argonautica: Book I

p. 103

to learn who would cease rowing last; the air all round

lay windless, smoothed the eddies, lulled the sea to sleep.

Trusting the glassy calm, they drove the ship ahead

by force through the salt sea; Argo darted onward.

Poseidon's storm-footed horses could never catch Argo.

Still the swell awoke, aroused by violent breezes,

winds freshly rising from rivers at fall of dusk,

the exhausted rowers had nearly ceased; but one man

pulled all the weary crew along by strength of hand:

Heracles shook every timber, close-fitted in Argo.

But when heroes, hearts longing, sought Mysia's mainland,

they saw the Rhyndacus' mouths and great Aegaeon's barrow,

and measured their seaward course, just off the Phrygian coast,

then Heracles, heaving high the rough surge's furrows,

snapped his oar through the middle; one broken piece

he gripped in both hands, falling sideways; the other

the backwash swept away. He sat upright in silence,

His eyes stared round; his hands were strangers to resting.

When a vine-dresser or ploughman comes home late from fields,

gladly he walks to his hut, hungry for evening supper,

there at the threshold he sinks down and folds his toil-worn knees,

dust-caked, he stares at hands all chafed and rubbed raw,

he calls down many evils upon his own belly;

at that same hour they reached the haunts of Cianian country,

103

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.