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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 1130–1153

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Ancient Greek Page · Branch 48 of 245

Book I · Lines 1130–1153

Ancient Greek

p. 100
Line I.1130: Ἀγχιάλη Δικταῖον ἀνὰ σπέος ἀμφοτέρῃσινLine I.1131: δραξαμένη γαίης Οἰαξίδος ἐβλάστησεν.Line I.1132: πολλὰ δὲ τήνγε λιτῇσιν ἀποστρέψαι ἐριώλαςLine I.1133: Αἰσονίδης γουνάζετʼ ἐπιλλείβων ἱεροῖσινLine I.1134: αἰθομένοις· ἄμυδις δὲ νέοι Ὀρφῆος ἀνωγῇLine I.1135: σκαίροντες βηταρμὸν ἐνόπλιον ὠρχήσαντο,Line I.1136: καὶ σάκεα ξιφέεσσιν ἐπέκτυπον, ὥς κεν ἰωὴLine I.1137: δύσφημος πλάζοιτο διʼ ἠέρος, ἣν ἔτι λαοὶLine I.1138: κηδείῃ βασιλῆος ἀνέστενον. ἔνθεν ἐσαιεὶLine I.1139: ῥόμβῳ καὶ τυπάνῳ Ῥείην Φρύγες ἱλάσκονται.Line I.1140: ἡ δέ που εὐαγέεσσιν ἐπὶ φρένα θῆκε θυηλαῖςLine I.1141: ἀνταίη δαίμων· τὰ δʼ ἐοικότα σήματʼ ἔγεντο.Line I.1142: δένδρεα μὲν καρπὸν χέον ἄσπετον, ἀμφὶ δὲ ποσσὶνLine I.1143: αὐτομάτη φύε γαῖα τερείνης ἄνθεα ποίης.Line I.1144: θῆρες δʼ εἰλυούς τε κατὰ ξυλόχους τε λιπόντεςLine I.1145: οὐρῇσιν σαίνοντες ἐπήλυθον. ἡ δὲ καὶ ἄλλοLine I.1146: θῆκε τέρας· ἐπεὶ οὔτι παροίτερον ὕδατι νᾶενLine I.1147: Δίνδυμον· ἀλλά σφιν τότʼ ἀνέβραχε διψάδος αὔτωςLine I.1148: ἐκ κορυφῆς ἄλληκτον· Ἰησονίην δʼ ἐνέπουσινLine I.1149: κεῖνο ποτὸν κρήνην περιναιέται ἄνδρες ὀπίσσω.Line I.1150: καὶ τότε μὲν δαῖτʼ ἀμφὶ θεᾶς θέσαν οὔρεσιν Ἄρκτων,Line I.1151: μέλποντες Ῥείην πολυπότνιαν· αὐτὰρ ἐς ἠὼLine I.1152: ληξάντων ἀνέμων νῆσον λίπον εἰρεσίῃσιν.Line I.1153: ἔνθʼ ἔρις ἄνδρα ἕκαστον ἀριστήων ὀρόθυνεν,
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The Argonautica: Book I

p. 101

Anchiale, within the Dictaean cave, gripped earth

of Oeax in both hands and made the Dactyls spring.

With many prayers Aeson's son implored her to turn

the raging hurricanes aside, as he poured libations down

over burnt offerings; youths joined at Orpheus' bidding,

leaping high, they danced the measured dance of arms,

beating hard on shields with swords, so the ill-omened cry

might wander lost through air, the cry the people still

raised in grief for the king. Hence ever afterward

the Phrygian people appease Rhea with bull-roarer and drum.

The answering goddess set her mind upon their pure offerings;

and signs befitting the goddess then came to pass.

The trees poured down an untold abundance of fruit;

around their feet earth of itself raised flowers from tender grass.

The wild beasts left their woodland coverts and their lairs

and came near, fawning with their tails. The goddess fashioned

marvel: before that time no water had flowed

on Dindymum; then sudden water burst forth upward,

and streamed unceasing down from the once-thirsty summit: Jasonian

Spring, as the later dwellers call that drinkable water.

Then on the Mount of Bears they spread a sacred feast for the goddess,

singing Rhea, mighty mistress; but when dawn rose,

the winds had ceased; the heroes rowed away from the island.

Then keen rivalry stirred every one of the chieftains,

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.