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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 1082–1105

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English Page · Branch 46 of 245

Book I · Lines 1082–1105

Ancient Greek

p. 96
Line I.1082: ὕπνῳ ἀριστῆες πύματον λάχος· αὐτὰρ ἌκαστοςLine I.1083: Μόψος τʼ Ἀμπυκίδης ἀδινὰ κνώσσοντας ἔρυντο.Line I.1084: ἡ δʼ ἄρʼ ὑπὲρ ξανθοῖο καρήατος ΑἰσονίδαοLine I.1085: πωτᾶτʼ ἀλκυονὶς λιγυρῇ ὀπὶ θεσπίζουσαLine I.1086: λῆξιν ὀρινομένων ἀνέμων· συνέηκε δὲ ΜόψοςLine I.1087: ἀκταίης ὄρνιθος ἐναίσιμον ὄσσαν ἀκούσας.Line I.1088: καὶ τὴν μὲν θεὸς αὖτις ἀπέτραπεν, ἷζε δʼ ὕπερθενLine I.1089: νηίου ἀφλάστοιο μετήορος ἀίξασα.Line I.1090: τὸν δʼ ὅγε κεκλιμένον μαλακοῖς ἐνὶ κώεσιν οἰῶν.Line I.1091: κινήσας ἀνέγειρε παρασχεδόν, ὧδέ τʼ ἔειπεν·Line I.1092: Αἰσονίδη, χρειώ σε τόδʼ ἱερὸν εἰσανιόνταLine I.1093: Δινδύμου ὀκριόεντος ἐύθρονον ἱλάξασθαιLine I.1094: μητέρα συμπάντων μακάρων· λήξουσι δʼ ἄελλαιLine I.1095: ζαχρηεῖς· τοίην γὰρ ἐγὼ νέον ὄσσαν ἄκουσαLine I.1096: ἀλκυόνος ἁλίης, ἥ τε κνώσσοντος ὕπερθενLine I.1097: σεῖο πέριξ τὰ ἕκαστα πιφαυσκομένη πεπότηται.Line I.1098: ἐκ γὰρ τῆς ἄνεμοί τε θάλασσά τε νειόθι τε χθὼνLine I.1099: πᾶσα πεπείρανται νιφόεν θʼ ἕδος Οὐλύμποιο·Line I.1100: καί οἱ, ὅτʼ ἐξ ὀρέων μέγαν οὐρανὸν εἰσαναβαίνῃ,Line I.1101: Ζεὺς αὐτὸς Κρονίδης ὑποχάζεται. ὧς δὲ καὶ ὧλλοιLine I.1102: ἀθάνατοι μάκαρες δεινὴν θεὸν ἀμφιέπουσιν.Line I.1103: ὧς φάτο· τῷ δʼ ἀσπαστὸν ἔπος γένετʼ εἰσαΐοντι.Line I.1104: ὤρνυτο δʼ ἐξ εὐνῆς κεχαρημένος· ὦρσε δʼ ἑταίρουςLine I.1105: πάντας ἐπισπέρχων, καί τέ σφισιν ἐγρομένοισιν
96

The Argonautica: Book I

p. 97

lay sleeping through the last allotted watch; but Acastus

and Mopsus son of Ampycus guarded their deep slumber.

High over the golden head of Aeson's son

a halcyon fluttered, foretelling in a clear and piercing voice

the end of storm-tossed winds; Mopsus grasped its meaning,

hearing the shore-bird's clear and favorable prophetic cry.

A goddess turned the bird again away from its course; it

flew upward and perched atop the ship's stern-ornament.

Mopsus touched Jason reclining on soft sheepskins,

stirred him awake nearby, and spoke these urgent words:

Aeson's son, a sacred climb now lies before you:

rugged Dindymum; appease the gracious, well-throned Mother

of all the blessed gods; the tempests then will cease

in violence; for such a cry I heard just now

from the sea's halcyon; above your sleeping head the bird

flew circling widely, revealing each matter in order.

From her the winds, the sea, and all deep earth depend,

bound firm, together with the snowy seat of Olympus;

and when the mighty goddess climbs from high peaks into heaven,

Zeus himself, the son of Cronus, gives way before her;

so all the other deathless blessed ones attend the dread goddess.

He spoke; Jason heard him and welcomed his prophetic word.

Jason sprang joyfully from bed and roused his comrades

all, urging haste; and when the sleeping crew awakened,

97

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.