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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 722–745

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Facing Pages · Branch 31 of 245

Book I · Lines 722–745

Ancient Greek

p. 66
Line I.722: δίπλακα πορφυρέην περονήσατο, τήν οἱ ὄπασσενLine I.723: Παλλάς, ὅτε πρῶτον δρυόχους ἐπεβάλλετο νηὸςLine I.724: Ἀργοῦς, καὶ κανόνεσσι δάε ζυγὰ μετρήσασθαι.Line I.725: τῆς μὲν ῥηίτερόν κεν ἐς ἠέλιον ἀνιόνταLine I.726: ὄσσε βάλοις, ἢ κεῖνο μεταβλέψειας ἔρευθος.Line I.727: δὴ γάρ τοι μέσση μὲν ἐρευθήεσσʼ ἐτέτυκτο,Line I.728: ἄκρα δὲ πορφυρέη πάντῃ πέλεν· ἐν δʼ ἄρʼ ἑκάστῳLine I.729: τέρματι δαίδαλα πολλὰ διακριδὸν εὖ ἐπέπαστο.Line I.730: ἐν μὲν ἔσαν Κύκλωπες ἐπʼ ἀφθίτῳ ἥμενοι ἔργῳ,Line I.731: Ζηνὶ κεραυνὸν ἄνακτι πονεύμενοι· ὃς τόσον ἤδηLine I.732: παμφαίνων ἐτέτυκτο, μιῆς δʼ ἔτι δεύετο μοῦνονLine I.733: ἀκτῖνος, τὴν οἵδε σιδηρείῃς ἐλάασκονLine I.734: σφύρῃσιν, μαλεροῖο πυρὸς ζείουσαν ἀυτμήν.Line I.735: ἐν δʼ ἔσαν Ἀντιόπης Ἀσωπίδος υἱέε δοιώ,Line I.736: Ἀμφίων καὶ Ζῆθος· ἀπύργωτος δʼ ἔτι ΘήβηLine I.737: κεῖτο πέλας, τῆς οἵγε νέον βάλλοντο δομαίουςLine I.738: ἱέμενοι. Ζῆθος μὲν ἐπωμαδὸν ἠέρταζενLine I.739: οὔρεος ἠλιβάτοιο κάρη, μογέοντι ἐοικώς·Line I.740: Ἀμφίων δʼ ἐπί οἱ χρυσέῃ φόρμιγγι λιγαίνωνLine I.741: ἤιε, δὶς τόσση δὲ μετʼ ἴχνια νίσσετο πέτρηLine I.742: ἑξείης δʼ ἤσκητο βαθυπλόκαμος ΚυθέρειαLine I.743: Ἄρεος ὀχμάζουσα θοὸν σάκος· ἐκ δέ οἱ ὤμουLine I.744: πῆχυν ἔπι σκαιὸν ξυνοχὴ κεχάλαστο χιτῶνοςLine I.745: νέρθεν ὑπὲκ μαζοῖο· τὸ δʼ ἀντίον ἀτρεκὲς αὔτως
66

The Argonautica: Book I

p. 67

a double-folded purple mantle once bestowed on Jason

by Pallas, when she first laid keel-props beneath Argo

and taught exact crossbeam measures with the builder's rods.

Far easier to raise your eyes and face the rising sun

than turn your gaze to confront that mantle's blazing redness.

For there across the middle the woven field shone ruddy-red,

and every outer edge was purple; at each border

many designs lay skillfully, separately worked.

There Cyclopes sat at their labor that never perishes,

forging the thunderbolt for Zeus, the lordly king; already

it had been wrought almost wholly shining, lacking only

one single ray, which the Cyclopes beneath iron hammers

hammered to shape; vapor seethed up from fierce fire.

There too were both sons of Antiope, Asopus' daughter,

Amphion and Zethus; Thebes still lay beside them

without her towers; just then they laid the city's foundations

with eager zeal; then Zethus lifted high on his shoulders

the crest of a towering mountain, like one laboring hard;

behind him Amphion went, singing clear on his golden lyre,

and twice so vast a rock followed after his footsteps.

Next in the woven sequence stood deep-tressed Cytherea,

holding the swift shield of Ares; from Cytherea's shoulder

her loosened tunic-clasp fell down the left forearm

beneath her breast; directly opposite, true to life,

67

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.