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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 1683–1706

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Facing Pages · Branch 241 of 245

Book IV · Lines 1683–1706

Ancient Greek

p. 492
Line IV.1683: τήν τε θοοῖς πελέκεσσιν ἔθʼ ἡμιπλῆγα λιπόντεςLine IV.1684: ὑλοτόμοι δρυμοῖο κατήλυθον· ἡ δʼ ὑπὸ νυκτὶLine IV.1685: ῥιπῇσιν μὲν πρῶτα τινάσσεται, ὕστερον αὖτεLine IV.1686: πρυμνόθεν ἐξαγεῖσα κατήριπεν· ὧς ὅγε ποσσὶνLine IV.1687: ἀκαμάτοις τείως μὲν ἐπισταδὸν ᾐωρεῖτο,Line IV.1688: ὕστερον αὖτʼ ἀμενηνὸς ἀπείρονι κάππεσε δούπῳ.Line IV.1689: κεῖνο μὲν οὖν Κρήτῃ ἐνὶ δὴ κνέφας ηὐλίζοντοLine IV.1690: ἥρωες· μετὰ δʼ οἵγε νέον φαέθουσαν ἐς ἠῶLine IV.1691: ἱρὸν Ἀθηναίης Μινωίδος ἱδρύσαντο,Line IV.1692: ὕδωρ τʼ εἰσαφύσαντο καὶ εἰσέβαν, ὥς κεν ἐρετμοῖςLine IV.1693: παμπρώτιστα βάλοιεν ὑπὲρ Σαλμωνίδος ἄκρης.Line IV.1694: Αὐτίκα δὲ Κρηταῖον ὑπὲρ μέγα λαῖτμα θέονταςLine IV.1695: νὺξ ἐφόβει, τήνπερ τε κατουλάδα κικλήσκουσιν·Line IV.1696: νύκτʼ ὀλοὴν οὐκ ἄστρα διίσχανεν, οὐκ ἀμαρυγαὶLine IV.1697: μήνης· οὐρανόθεν δὲ μέλαν χάος, ἠέ τις ἄλληLine IV.1698: ὠρώρει σκοτίη μυχάτων ἀνιοῦσα βερέθρων.Line IV.1699: αὐτοὶ δʼ, εἴτʼ Ἀίδῃ, εἴθʼ ὕδασιν ἐμφορέοντο,Line IV.1700: ἠείδειν οὐδʼ ὅσσον· ἐπέτρεψαν δὲ θαλάσσῃLine IV.1701: νόστον, ἀμηχανέοντες, ὅπῃ φέροι. αὐτὰρ ἸήσωνLine IV.1702: χεῖρας ἀνασχόμενος μεγάλῃ ὀπὶ Φοῖβον ἀύτει,Line IV.1703: ῥύσασθαι καλέων· κατὰ δʼ ἔρρεεν ἀσχαλόωντιLine IV.1704: δάκρυα· πολλὰ δὲ Πυθοῖ ὑπέσχετο, πολλὰ δʼ Ἀμύκλαις,Line IV.1705: πολλὰ δʼ ἐς Ὀρτυγίην ἀπερείσια δῶρα κομίσσειν.Line IV.1706: Λητοΐδη, τύνη δὲ κατʼ οὐρανοῦ ἵκεο πέτρας
492

The Argonautica: Book IV

p. 493

left half-hewn by woodcutters striking with their swift axes

when they came down from the wood; beneath the night wind

it first is shaken; then the blast tears free its roots

and crashes down; so Talos stood on tireless feet

a little while, still swaying there upright,

then, powerless, fell with a vast, immeasurable clang.

That evening all the heroes camped ashore in Crete;

Next, when the early dawn began its faintest shining,

the heroes founded a holy shrine to Minoan Athena,

drew water, boarded Argo, and took up the oars,

so first they might row past Salmone's jutting cape.

Straightway as they sped across the vast Cretan sea,

night terrified them: mortals call it the Dark Pall;

no stars pierced through the fatal night, nor any glimmers

of the moon; from heaven black chaos, or some other

darkness had risen, climbing from the deepest nether chasms.

Whether they now were carried in Hades or over the waters,

They knew no answer; helplessly they trusted to the sea

their homecoming, not knowing where it might bear them. Jason

lifted his hands and shouted to Phoebus in a mighty voice,

calling for rescue; tears streamed down in anguish;

At Pytho many gifts he vowed, and more at Amyclae,

and many gifts past counting he would bring to Ortygia.

Leto's son, quick to hear, you left high heaven

493

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.