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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 1659–1682

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Book IV · Lines 1659–1682

Ancient Greek

p. 490
Line IV.1659: ὧς ἄρʼ ἔφη· καὶ τοὶ μὲν ὑπὲκ βελέων ἐρύσαντοLine IV.1660: νῆʼ ἐπʼ ἐρετμοῖσιν, δεδοκημένοι ἥντινα ῥέξειLine IV.1661: μῆτιν ἀνωίστως· ἡ δὲ πτύχα πορφυρέοιοLine IV.1662: προσχομένη πέπλοιο παρειάων ἑκάτερθενLine IV.1663: βήσατʼ ἐπʼ ἰκριόφιν· χειρὸς δέ ἑ χειρὶ μεμαρπὼςLine IV.1664: Αἰσονίδης ἐκόμιζε διὰ κληῖδας ἰοῦσαν.Line IV.1665: ἔνθα δʼ ἀοιδῇσιν μειλίσσετο, μέλπε δὲ ΚῆραςLine IV.1666: θυμοβόρους, Ἀίδαο θοὰς κύνας, αἳ περὶ πᾶσανLine IV.1667: ἠέρα δινεύουσαι ἐπὶ ζωοῖσιν ἄγονται.Line IV.1668: τὰς γουναζομένη τρὶς μὲν παρεκέκλετʼ ἀοιδαῖς,Line IV.1669: τρὶς δὲ λιταῖς· θεμένη δὲ κακὸν νόον, ἐχθοδοποῖσινLine IV.1670: ὄμμασι χαλκείοιο Τάλω ἐμέγηρεν ὀπωπάς·Line IV.1671: λευγαλέον δʼ ἐπί οἱ πρῖεν χόλον, ἐκ δʼ ἀίδηλαLine IV.1672: δείκηλα προΐαλλεν, ἐπιζάφελον κοτέουσα.Line IV.1673: Ζεῦ πάτερ, ἦ μέγα δή μοι ἐνὶ φρεσὶ θάμβος ἄηται,Line IV.1674: εἰ δὴ μὴ νούσοισι τυπῇσί τε μοῦνον ὄλεθροςLine IV.1675: ἀντιάει, καὶ δή τις ἀπόπροθεν ἄμμε χαλέπτει.Line IV.1676: ὧς ὅγε χάλκειός περ ἐὼν ὑπόειξε δαμῆναιLine IV.1677: Μηδείης βρίμῃ πολυφαρμάκου. ἂν δὲ βαρείαςLine IV.1678: ὀχλίζων λάιγγας, ἐρυκέμεν ὅρμον ἱκέσθαι.Line IV.1679: πετραίῳ στόνυχι χρίμψε σφυρόν· ἐκ δέ οἱ ἰχὼρLine IV.1680: τηκομένῳ ἴκελος μολίβῳ ῥέεν· οὐδʼ ἔτι δηρὸνLine IV.1681: εἱστήκει προβλῆτος ἐπεμβεβαὼς σκοπέλοιο.Line IV.1682: ἀλλʼ ὥς τίς τʼ ἐν ὄρεσσι πελωρίη ὑψόθι πεύκη,
490

The Argonautica: Book IV

p. 491

So she spoke; with their oars they kept Argo safe from missiles,

waiting to see her strange, unimagined stratagem unfold;

then, firmly grasping the mantle's wide, deep-purple fold,

she drew the robe to both cheeks, a fold on either side,

and stepped upon the deck. Firmly clasping Medea's hand,

Aeson's son led her as she passed between the thwarts.

There she enchanted deadly Keres with magic singing,

soul-devouring, Hades' dread and swift infernal hounds,

that wheel through upper air to hunt living men.

Kneeling, she called the Keres three times in her songs,

thrice with prayers; making her dark mind malevolent, with hostile

eyes she bewitched the gaze of Talos fashioned in bronze;

she gnashed dreadful anger against him and sent out

destructive visions, raging with a fury beyond measure.

Father Zeus, great wonder indeed blows into my mind,

if ruin descends not solely through devouring sickness

and blows, while deadly hostile power strikes from afar.

Thus Talos, bronze though he was, yielded himself to destruction

through the power of Medea, mistress of many drugs. As he lifted

heavy rocks to bar the ship from reaching harbor,

he grazed his ankle on the pointed edge of rock; his ichor

flowed like molten lead; no longer could he stand there

high on the jutting headland where he firmly planted himself.

As when a giant pine stands high in mountain country,

491

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.