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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 553–576

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Ancient Greek Page · Branch 24 of 245

Book I · Lines 553–576

Ancient Greek

p. 52
Line I.553: αὐτὰρ ὅγʼ ἐξ ὑπάτου ὄρεος κίεν ἄγχι θαλάσσηςLine I.554: Χείρων Φιλλυρίδης, πολιῇ δʼ ἐπὶ κύματος ἀγῇLine I.555: τέγγε πόδας, καὶ πολλὰ βαρείῃ χειρὶ κελεύων,Line I.556: νόστον ἐπευφήμησεν ἀκηδέα νισσομένοισιν.Line I.557: σὺν καί οἱ παράκοιτις ἐπωλένιον φορέουσαLine I.558: Πηλεΐδην Ἀχιλῆα, φίλῳ δειδίσκετο πατρί.Line I.559: οἱ δʼ ὅτε δὴ λιμένος περιηγέα κάλλιπον ἀκτὴνLine I.560: φραδμοσύνῃ μήτι τε δαΐφρονος ἉγνιάδαοLine I.561: Τίφυος, ὅς ῥʼ ἐνὶ χερσὶν ἐύξοα τεχνηέντωςLine I.562: πηδάλιʼ ἀμφιέπεσκʼ, ὄφρʼ ἔμπεδον ἐξιθύνοι,Line I.563: δή ῥα τότε μέγαν ἱστὸν ἐνεστήσαντο μεσόδμῃ,Line I.564: δῆσαν δὲ προτόνοισι, τανυσσάμενοι ἑκάτερθεν,Line I.565: κὰδ δʼ αὐτοῦ λίνα χεῦαν, ἐπʼ ἠλακάτην ἐρύσαντες.Line I.566: ἐν δὲ λιγὺς πέσεν οὖρος· ἐπʼ ἰκριόφιν δὲ κάλωαςLine I.567: ξεστῇσιν περόνῃσι διακριδὸν ἀμφιβαλόντεςLine I.568: Τισαίην εὔκηλοι ὑπὲρ δολιχὴν θέον ἄκρην.Line I.569: τοῖσι δὲ φορμίζων εὐθήμονι μέλπεν ἀοιδῇLine I.570: Οἰάγροιο πάις νηοσσόον εὐπατέρειανLine I.571: Ἄρτεμιν, ἣ κείνας σκοπιὰς ἁλὸς ἀμφιέπεσκενLine I.572: ῥυομένη καὶ γαῖαν Ἰωλκίδα· τοὶ δὲ βαθείηςLine I.573: ἰχθύες ἀίσσοντες ὕπερθʼ ἁλός, ἄμμιγα παύροιςLine I.574: ἄπλετοι, ὑγρὰ κέλευθα διασκαίροντες ἕποντο.Line I.575: ὡς δʼ ὁπότʼ ἀγραύλοιο κατʼ ἴχνια σημαντῆροςLine I.576: μυρία μῆλʼ ἐφέπονται ἄδην κεκορημένα ποίης
52

The Argonautica: Book I

p. 53

But down from the mountain's highest crest toward the sea came

Chiron, Philyra's son; where the gray surf was breaking

he wet his feet, and often waved with his stout hand, urging

and invoked for the voyagers a homecoming free of all sorrow.

Chiron's wife stood close, carrying on her forearm

Peleus' son Achilles, displaying him to his dear father.

When they had left the harbor's curving shore far behind

through the skill and wise counsel of Hagnias' prudent son,

Tiphys, whose hands with practiced skill kept tending

the polished steering-oars, guiding Argo steadfastly straight,

then they stepped the great mast upright in the midship mast-box,

and bound it with forestays stretched taut upon either side;

then downward they spread the linen sail, hauled high on the yard.

A shrill wind filled it; over the half-deck then the sheets

were looped apart, then lashed to polished belaying-pins,

and ran swiftly at ease beyond the long Tisaean headland.

For them, playing his lyre, he sang in well-ordered music,

Oeagrus' son, of ship-saving Artemis, high-born goddess,

who tended every lofty watch-peak guarding the sea,

guarding those peaks and Iolcus' land. From the deep sea

fish darted up above the waves, and mingled with small ones

huge ones followed, bounding along the watery pathways.

Along a field-dwelling shepherd's well-worn tracks there move

countless sheep, all sated to fullness with grass,

53

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.