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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 1299–1322

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Book IV · Lines 1299–1322

Ancient Greek

p. 460
Line IV.1299: χηραμοῦ ἀπτῆνες λιγέα κλάζουσι νεοσσοί·Line IV.1300: ἢ ὅτε καλὰ νάοντος ἐπʼ ὀφρύσι ΠακτωλοῖοLine IV.1301: κύκνοι κινήσωσιν ἑὸν μέλος, ἀμφὶ δὲ λειμὼνLine IV.1302: ἑρσήεις βρέμεται ποταμοῖό τε καλὰ ῥέεθρα·Line IV.1303: ὧς αἱ ἐπὶ ξανθὰς θέμεναι κονίῃσιν ἐθείραςLine IV.1304: παννύχιαι ἐλεεινὸν ἰήλεμον ὠδύροντο.Line IV.1305: καί νύ κεν αὐτοῦ πάντες ἀπὸ ζωῆς ἐλίασθενLine IV.1306: νώνυμνοι καὶ ἄφαντοι ἐπιχθονίοισι δαῆναιLine IV.1307: ἡρώων οἱ ἄριστοι ἀνηνύστῳ ἐπʼ ἀέθλῳ·Line IV.1308: ἀλλά σφεας ἐλέηραν ἀμηχανίῃ μινύθονταςLine IV.1309: ἡρῷσσαι, Λιβύης τιμήοροι, αἵ ποτʼ Ἀθήνην,Line IV.1310: ἦμος ὅτʼ ἐκ πατρὸς κεφαλῆς θόρε παμφαίνουσα,Line IV.1311: ἀντόμεναι Τρίτωνος ἐφʼ ὕδασι χυτλώσαντο.Line IV.1312: ἔνδιον ἦμαρ ἔην, περὶ δʼ ὀξύταται θέρον αὐγαὶLine IV.1313: ἠελίου Λιβύην· αἱ δὲ σχεδὸν ΑἰσονίδαοLine IV.1314: ἔσταν, ἕλον δʼ ἀπὸ χερσὶ καρήατος ἠρέμα πέπλον.Line IV.1315: αὐτὰρ ὅγʼ εἰς ἑτέρωσε παλιμπετὲς ὄμματʼ ἔνεικεν,Line IV.1316: δαίμονας αἰδεσθείς· αὐτὸν δέ μιν ἀμφαδὸν οἶονLine IV.1317: μειλιχίοις ἐπέεσσιν ἀτυζόμενον προσέειπον·Line IV.1318: κάμμορε, τίπτʼ ἐπὶ τόσσον ἀμηχανίῃ βεβόλησαι;Line IV.1319: ἴδμεν ἐποιχομένους χρύσεον δέρος· ἴδμεν ἕκασταLine IV.1320: ὑμετέρων καμάτων, ὅσʼ ἐπὶ χθονός, ὅσσα τʼ ἐφʼ ὑγρὴνLine IV.1321: πλαζόμενοι κατὰ πόντον ὑπέρβια ἔργʼ ἐκάμεσθε.Line IV.1322: οἰοπόλοι δʼ εἰμὲν χθόνιαι θεαὶ αὐδήεσσαι,
460

The Argonautica: Book IV

p. 461

the hollow of a rock, send out their piercing cries,

or on Pactolus' lovely banks, where bright streams flow,

swans set their song astir; the dewy meadow rings,

and lovely river channels echo their resounding song,

thus all the maidens laid gold hair upon the dust

and all night long they wailed their pitiable lament.

And there they all would surely have lost their lives forever,

nameless, unseen, unknown to all earth-dwelling people,

the best of heroes, doomed to leave their labor unfinished.

But heroine nymphs took pity as helplessness wasted them,

the guardians of Libya, who once went to meet Athena

when Athena sprang all-gleaming forth from her father's head,

and meeting beside Lake Triton, they bathed her in its waters.

It was the noonday hour, and the sun's most piercing rays

were scorching Libya; the goddesses stood beside Jason

with gentle hands they drew the cloak from Jason's head.

He turned his eyes backward and looked to the other side.

He revered the gods; the goddesses singled Jason out

and spoke to him in soothing, gentle words as he stood dazed:

Ill-fated man, why are you struck by such utter helplessness?

We know how you went after the Golden Fleece; we know each

one of your labors, all you endured upon the dry land,

and mighty deeds achieved while wandering far over sea.

We are lone chthonian goddesses who speak with mortal voices,

461

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.