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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 505–528

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Ancient Greek Page · Branch 22 of 245

Book I · Lines 505–528

Ancient Greek

p. 48
Line I.505: ὥς τε βίῃ καὶ χερσὶν ὁ μὲν Κρόνῳ εἴκαθε τιμῆς,Line I.506: ἡ δὲ Ῥέῃ, ἔπεσον δʼ ἐνὶ κύμασιν Ὠκεανοῖο·Line I.507: οἱ δὲ τέως μακάρεσσι θεοῖς Τιτῆσιν ἄνασσον,Line I.508: ὄφρα Ζεὺς ἔτι κοῦρος, ἔτι φρεσὶ νήπια εἰδώς,Line I.509: Δικταῖον ναίεσκεν ὑπὸ σπέος· οἱ δέ μιν οὔπωLine I.510: γηγενέες Κύκλωπες ἐκαρτύναντο κεραυνῷ,Line I.511: βροντῇ τε στεροπῇ τε· τὰ γὰρ Διὶ κῦδος ὀπάζει.Line I.512: ἦ, καὶ ὁ μὲν φόρμιγγα σὺν ἀμβροσίῃ σχέθεν αὐδῇ.Line I.513: τοὶ δʼ ἄμοτον λήξαντος ἔτι προύχοντο κάρηναLine I.514: πάντες ὁμῶς ὀρθοῖσιν ἐπʼ οὔασιν ἠρεμέοντεςLine I.515: κηληθμῷ· τοῖόν σφιν ἐνέλλιπε θέλκτρον ἀοιδῆς.Line I.516: οὐδʼ ἐπὶ δὴν μετέπειτα κερασσάμενοι Διὶ λοιβάς,Line I.517: ἣ θέμις, ἑστηῶτες ἐπὶ γλώσσῃσι χέοντοLine I.518: αἰθομέναις, ὕπνου δὲ διὰ κνέφας ἐμνώοντο.Line I.519: αὐτὰρ ὅτʼ αἰγλήεσσα φαεινοῖς ὄμμασιν ἨὼςLine I.520: Πηλίου αἰπεινὰς ἴδεν ἄκριας, ἐκ δʼ ἀνέμοιοLine I.521: εὔδιοι ἐκλύζοντο τινασσομένης ἁλὸς ἄκραι,Line I.522: δὴ τότʼ ἀνέγρετο Τῖφυς· ἄφαρ δʼ ὀρόθυνεν ἑταίρουςLine I.523: βαινέμεναί τʼ ἐπὶ νῆα καὶ ἀρτύνασθαι ἐρετμά.Line I.524: σμερδαλέον δὲ λιμὴν Παγασήιος ἠδὲ καὶ αὐτὴLine I.525: Πηλιὰς ἴαχεν Ἀργὼ ἐπισπέρχουσα νέεσθαι.Line I.526: ἐν γάρ οἱ δόρυ θεῖον ἐλήλατο, τό ῥʼ ἀνὰ μέσσηνLine I.527: στεῖραν Ἀθηναίη Δωδωνίδος ἥρμοσε φηγοῦ.Line I.528: οἱ δʼ ἀνὰ σέλματα βάντες ἐπισχερὼ ἀλλήλοισιν,
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The Argonautica: Book I

p. 49

how, conquered by force of arms, he yielded his honor to Cronus,

and she to Rhea; then both fell into Ocean's billows.

Cronus and Rhea then ruled the blessed Titan gods,

while Zeus remained a boy, still childlike in understanding,

dwelling deep inside the Dictaean cave; the earthborn

Cyclopes had not yet strengthened Zeus with the thunderbolt,

with thunder and lightning, for these grant Zeus his glory.

He ceased, holding back both the lyre and his ambrosial voice.

But though he had ended, still eagerly they stretched their heads forward,

all together, sitting silent, their ears held upright

spellbound: so strong the charm his song had left within them.

Not long thereafter, they mixed the libations for Zeus,

as custom ordered, stood and poured libations on the burning

tongues; then through darkness they turned their minds toward sleep.

But radiant Dawn with luminous eyes looked down on

Pelion's towering peaks; then wind rose, and the headlands

stood clear as they were washed by the sea's tossing water,

then Tiphys awoke and at once roused the sleeping companions

to board Argo, and set all the oars in order.

Pagasae's harbor uttered a terrible cry, and Pelian

Argo herself cried, urging her heroes to set forth.

For fixed within her was a godly beam, the one that Athena

had fitted in the mid-stem there, cut from Dodona's oak-tree.

Then one by one they boarded each assigned bench,

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.