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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 891–914

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Book IV · Lines 891–914

Ancient Greek

p. 426
Line IV.891: νῆα δʼ ἐυκραὴς ἄνεμος φέρεν. αἶψα δὲ νῆσονLine IV.892: καλήν, Ἀνθεμόεσσαν ἐσέδρακον, ἔνθα λίγειαιLine IV.893: Σειρῆνες σίνοντʼ Ἀχελωίδες ἡδείῃσινLine IV.894: θέλγουσαι μολπῇσιν, ὅτις παρὰ πεῖσμα βάλοιτο.Line IV.895: τὰς μὲν ἄρʼ εὐειδὴς Ἀχελωίῳ εὐνηθεῖσαLine IV.896: γείνατο Τερψιχόρη, Μουσέων μία· καί ποτε ΔηοῦςLine IV.897: θυγατέρʼ ἰφθίμην ἀδμῆτʼ ἔτι πορσαίνεσκονLine IV.898: ἄμμιγα μελπόμεναι· τότε δʼ ἄλλο μὲν οἰωνοῖσιν,Line IV.899: ἄλλο δὲ παρθενικῇς ἐναλίγκιαι ἔσκον ἰδέσθαι.Line IV.900: αἰεὶ δʼ εὐόρμου δεδοκημέναι ἐκ περιωπῆςLine IV.901: ἦ θαμὰ δὴ πολέων μελιηδέα νόστον ἕλοντο,Line IV.902: τηκεδόνι φθινύθουσαι· ἀπηλεγέως δʼ ἄρα καὶ τοῖςLine IV.903: ἵεσαν ἐκ στομάτων ὄπα λείριον. οἱ δʼ ἀπὸ νηὸςLine IV.904: ἤδη πείσματʼ ἔμελλον ἐπʼ ἠιόνεσσι βαλέσθαι,Line IV.905: εἰ μὴ ἄρʼ Οἰάγροιο πάις Θρηίκιος ὈρφεὺςLine IV.906: Βιστονίην ἐνὶ χερσὶν ἑαῖς φόρμιγγα τανύσσαςLine IV.907: κραιπνὸν ἐυτροχάλοιο μέλος κανάχησεν ἀοιδῆς,Line IV.908: ὄφρʼ ἄμυδις κλονέοντος ἐπιβρομέωνται ἀκουαὶLine IV.909: κρεγμῷ· παρθενικὴν δʼ ἐνοπὴν ἐβιήσατο φόρμιγξ.Line IV.910: νῆα δʼ ὁμοῦ ζέφυρός τε καὶ ἠχῆεν φέρε κῦμαLine IV.911: πρυμνόθεν ὀρνύμενον· ταὶ δʼ ἄκριτον ἵεσαν αὐδήν.Line IV.912: ἀλλὰ καὶ ὧς Τελέοντος ἐὺς πάις, οἶος ἑταίρωνLine IV.913: προφθάμενος, ξεστοῖο κατὰ ζυγοῦ ἔνθορε πόντῳLine IV.914: Βούτης, Σειρήνων λιγυρῇ ὀπὶ θυμὸν ἰανθείς·
426

The Argonautica: Book IV

p. 427

A brisk wind bore them; soon they saw the island

bright Anthemoessa, home of singers clear and shrill,

Sirens, daughters of Achelous, worked ruin with sweet

enchanting songs on whoever cast his cable beside the island.

After she shared Achelous' bed, the beautiful Terpsichore,

one of the Muses, bore the Sirens; once they served

mighty Deo's daughter, still an unwed maiden,

singing near her; winged bird-shapes formed one portion,

and partly in outward appearance resembled young maidens.

Always keeping their watch from a lookout above the fair harbor,

often indeed they had stolen the honey-sweet homecoming of many,

wasting them slowly with pining; and heedlessly now at the heroes

they sent from their mouths a lily-like voice. The men from the ship

already poised to cast the ship's cables on the beaches,

unless the Thracian bard, Oeagrus' son Orpheus,

stretched his Bistonian lyre into tune between both his hands

and rang a rapid strain of smooth, cascading song,

so all their ears might ring as he swept wildly across the strings

with violent thrumming; the lyre overpowered the maidens' voices.

Zephyr and roaring waves together bore the vessel

rising astern; the Sirens poured indistinct song.

Still Teleon's noble son, lone among comrades,

first leapt headlong from the polished rowing-bench into the sea,

Butes, his heart warmed through by the Sirens' clear-ringing voice;

427

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.