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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 771–794

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Ancient Greek Page · Branch 203 of 245

Book IV · Lines 771–794

Ancient Greek

p. 416
Line IV.771: τέμνε, τανυσσαμένη κοῦφα πτερά. δῦ δʼ ἐνὶ πόντῳLine IV.772: Αἰγαίῳ, τόθι πέρ τε δόμοι Νηρῆος ἔασιν.Line IV.773: πρώτην δʼ εἰσαφίκανε Θέτιν, καὶ ἐπέφραδε μῦθονLine IV.774: Ἥρης ἐννεσίῃς, ὦρσέν τέ μιν εἰς ἓ νέεσθαι.Line IV.775: δεύτερα δʼ εἰς Ἥφαιστον ἐβήσατο· παῦσε δὲ τόνγεLine IV.776: ῥίμφα σιδηρείων τυπίδων· ἔσχοντο δʼ ἀυτμῆςLine IV.777: αἰθαλέοι πρηστῆρες. ἀτὰρ τρίτον εἰσαφίκανενLine IV.778: Αἴολον Ἱππότεω παῖδα κλυτόν. ὄφρα δὲ καὶ τῷLine IV.779: ἀγγελίην φαμένη θοὰ γούνατα παῦσεν ὁδοῖο,Line IV.780: τόφρα Θέτις Νηρῆα κασιγνήτας τε λιποῦσαLine IV.781: ἐξ ἁλὸς Οὔλυμπόνδε θεὰν μετεκίαθεν Ἥρην·Line IV.782: ἡ δέ μιν ἆσσον ἑοῖο παρεῖσέ τε, φαῖνέ τε μῦθον·Line IV.783: κέκλυθι νῦν, Θέτι δῖα, τά τοι ἐπιέλδομʼ ἐνισπεῖν.Line IV.784: οἶσθα μέν, ὅσσον ἐμῇσιν ἐνὶ φρεσὶ τίεται ἥρωςLine IV.785: Αἰσονίδης, οἱ δʼ ἄλλοι ἀοσσητῆρες ἀέθλου,Line IV.786: οἵως τέ σφʼ ἐσάωσα διὰ πλαγκτὰς περόωνταςLine IV.787: πέτρας, ἔνθα πάρος δειναὶ βρομέουσι θύελλαι,Line IV.788: κύματά τε σκληρῇσι περιβλύει σπιλάδεσσιν.Line IV.789: νῦν δὲ παρὰ Σκύλλης σκόπελον μέγαν ἠδὲ ΧάρυβδινLine IV.790: δεινὸν ἐρευγομένην δέχεται ὁδός. ἀλλά σε γὰρ δὴLine IV.791: ἐξέτι νηπυτίης αὐτὴ τρέφον ἠδʼ ἀγάπησαLine IV.792: ἔξοχον ἀλλάων, αἵ τʼ εἰν ἁλὶ ναιετάουσιν,Line IV.793: οὕνεκεν οὐκ ἔτλης εὐνῇ Διὸς ἱεμένοιοLine IV.794: λέξασθαι. κείνῳ γὰρ ἀεὶ τάδε ἔργα μέμηλεν,
416

The Argonautica: Book IV

p. 417

and cleft through the air, stretching wide her light pinions; then

plunged in Aegean depths, where Nereus kept his halls.

First she came to Thetis and made the message known

through Hera's charge, and urged her straight to Hera's side.

Second she came to Hephaestus, then made him stop--

swiftly--from iron hammers; breathing stopped dead in

the soot-black bellows. Third along her road she reached

Aeolus, famed son of Hippotas; for him too

she gave the message, resting her swift knees from travel,

Meanwhile Thetis, leaving Nereus and all her sisters,

came out of the sea to Olympus, seeking Hera.

Hera seated her close at her side and unfolded her purpose:

Listen now, divine Thetis, to all I desire to tell you.

You know how highly the hero is honored within my own heart,

the son of Aeson, and all his companions who help in the trial,

and how I rescued every hero crossing Wandering

Rocks, where terrible storms have thundered from the days of old,

and the waves boil all around the unyielding reefs.

Now their road meets Scylla's rock and Charybdis,

fiercely belching terror. Yet from earliest childhood

I raised you myself from infancy, always cherished you dearly

above all other goddesses dwelling in the sea,

because you refused to submit to the bed of Zeus when he longed

to take you; such deeds always occupy his mind,

417

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.