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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 457–480

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Book I · Lines 457–480

Ancient Greek

p. 44
Line I.457: οἰνοχόων· μετέπειτα δʼ ἀμοιβαδὶς ἀλλήλοισινLine I.458: μυθεῦνθʼ, οἷά τε πολλὰ νέοι παρὰ δαιτὶ καὶ οἴνῳLine I.459: τερπνῶς ἑψιόωνται, ὅτʼ ἄατος ὕβρις ἀπείη.Line I.460: ἔνθʼ αὖτʼ Αἰσονίδης μὲν ἀμήχανος εἰν ἑοῖ αὐτῷLine I.461: πορφύρεσκεν ἕκαστα κατηφιόωντι ἐοικώς.Line I.462: τὸν δʼ ἄρʼ ὑποφρασθεὶς μεγάλῃ ὀπὶ νείκεσεν Ἴδας·Line I.463: Αἰσονίδη, τίνα τήνδε μετὰ φρεσὶ μῆτιν ἑλίσσεις;Line I.464: αὔδα ἐνὶ μέσσοισι τεὸν νόον. ἦέ σε δαμνᾷLine I.465: τάρβος ἐπιπλόμενον, τό τʼ ἀνάλκιδας ἄνδρας ἀτύζει;Line I.466: ἴστω νῦν δόρυ θοῦρον, ὅτῳ περιώσιον ἄλλωνLine I.467: κῦδος ἐνὶ πτολέμοισιν ἀείρομαι, οὐδέ μʼ ὀφέλλειLine I.468: Ζεὺς τόσον, ὁσσάτιόν περ ἐμὸν δόρυ, μή νύ τι πῆμαLine I.469: λοίγιον ἔσσεσθαι, μηδʼ ἀκράαντον ἄεθλονLine I.470: Ἴδεω ἑσπομένοιο, καὶ εἰ θεὸς ἀντιόῳτο.Line I.471: τοῖόν μʼ Ἀρήνηθεν ἀοσσητῆρα κομίζεις.Line I.472: ἦ, καὶ ἐπισχόμενος πλεῖον δέπας ἀμφοτέρῃσινLine I.473: πῖνε χαλίκρητον λαρὸν μέθυ· δεύετο δʼ οἴνῳLine I.474: χείλεα, κυάνεαί τε γενειάδες· οἱ δʼ ὁμάδησανLine I.475: πάντες ὁμῶς, Ἴδμων δὲ καὶ ἀμφαδίην ἀγόρευσεν·Line I.476: δαιμόνιε, φρονέεις ὀλοφώια καὶ πάρος αὐτῷ.Line I.477: ἦέ τοι εἰς ἄτην ζωρὸν μέθυ θαρσαλέον κῆρLine I.478: οἰδάνει ἐν στήθεσσι, θεοὺς δʼ ἀνέηκεν ἀτίζειν;Line I.479: ἄλλοι μῦθοι ἔασι παρήγοροι, οἷσί περ ἀνὴρLine I.480: θαρσύνοι ἕταρον· σὺ δʼ ἀτάσθαλα πάμπαν ἔειπας,
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The Argonautica: Book I

p. 45

by cupbearers; then turn after turn they talked with each other,

telling the many tales young men tell over feasting and wine,

pleasantly talking, when insatiate arrogance stays far away.

There Aeson's son, quite helpless within his own spirit,

brooded on all things, like one bowed low under sorrow.

Idas observed him and taunted him loudly in full voice:

Son of Aeson, what counsel is this you coil in your spirit?

Declare your intent to us all. Or is terror mastering you

as it comes upon you, the fear that dazes cowardly men?

Now let my headlong spear bear witness, by which above all men

I raise my battle-glory; Zeus himself does not aid me

so much as my own spear: no deadly disaster shall ever

come, and no contest remain without fulfillment,

while Idas follows you, even should some god oppose.

Such is the helper you carry away with you from Arene.

He spoke, then raised the brimming cup in both his hands,

he drank the strong, unmixed sweet wine; it overflowed

his lips and blue-black beard; and all the heroes shouted

as one; then Idmon in turn spoke openly against him:

Poor fool, you are plotting ruin for yourself before the time.

Or has the neat wine swollen your bold heart toward blindness

deep in your breast, and driven you on to dishonor the gods?

Other words bring comfort, the kind by which a man may

give heart to a comrade; you spoke with utter recklessness.

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.