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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 433–456

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English Page · Branch 19 of 245

Book I · Lines 433–456

Ancient Greek

p. 42
Line I.433: κόπτον, δαίτρευόν τε, καὶ ἱερὰ μῆρʼ ἐτάμοντο,Line I.434: κὰδ δʼ ἄμυδις τάγε πάντα καλύψαντες πύκα δημῷLine I.435: καῖον ἐπὶ σχίζῃσιν· ὁ δʼ ἀκρήτους χέε λοιβὰςLine I.436: Αἰσονίδης, γήθει δὲ σέλας θηεύμενος ἼδμωνLine I.437: πάντοσε λαμπόμενον θυέων ἄπο τοῖό τε λιγνὺνLine I.438: πορφυρέαις ἑλίκεσσιν ἐναίσιμον ἀίσσουσαν·Line I.439: αἶψα δʼ ἀπηλεγέως νόον ἔκφατο Λητοΐδαο·Line I.440: ὑμῖν μὲν δὴ μοῖρα θεῶν χρειώ τε περῆσαιLine I.441: ἐνθάδε κῶας ἄγοντας· ἀπειρέσιοι δʼ ἐνὶ μέσσῳLine I.442: κεῖσέ τε δεῦρό τʼ ἔασιν ἀνερχομένοισιν ἄεθλοι.Line I.443: αὐτὰρ ἐμοὶ θανέειν στυγερῇ ὑπὸ δαίμονος αἴσῃLine I.444: τηλόθι που πέπρωται ἐπʼ Ἀσίδος ἠπείροιο.Line I.445: ὧδε κακοῖς δεδαὼς ἔτι καὶ πάρος οἰωνοῖσινLine I.446: πότμον ἐμὸν πάτρης ἐξήιον, ὄφρʼ ἐπιβαίηνLine I.447: νηός, ἐυκλείη δὲ δόμοις ἐπιβάντι λίπηται.Line I.448: ὧς ἄρʼ ἔφη· κοῦροι δὲ θεοπροπίης ἀίοντεςLine I.449: νόστῳ μὲν γήθησαν, ἄχος δʼ ἕλεν Ἴδμονος αἴσῃ.Line I.450: ἦμος δʼ ἠέλιος σταθερὸν παραμείβεται ἦμαρ,Line I.451: αἱ δὲ νέον σκοπέλοισιν ὑποσκιόωνται ἄρουραι,Line I.452: δειελινὸν κλίνοντος ὑπὸ ζόφον ἠελίοιο,Line I.453: τῆμος ἄρʼ ἤδη πάντες ἐπὶ ψαμάθοισι βαθεῖανLine I.454: φυλλάδα χευάμενοι πολιοῦ πρόπαρ αἰγιαλοῖοLine I.455: κέκλινθʼ ἑξείης· παρὰ δέ σφισι μυρίʼ ἔκειτοLine I.456: εἴδατα, καὶ μέθυ λαρόν, ἀφυσσαμένων προχόῃσιν
42

The Argonautica: Book I

p. 43

jointed and carved them, and cut out sacred thigh-bones,

then wrapped them all together, thickly covered round with fat

and burned them on split wood; Jason poured libations unmixed

and Idmon rejoiced as he watched the bright sacrificial flame

shining on every side, and smoke from the sacrifice rising

in purple spirals, springing upward with good omen;

at once he plainly declared the will of Leto's son:

For you the gods' decree and fate ordain that you come

back here bearing the Fleece; but numberless in the midst

on the way there and back lie trials for those who journey.

but mine is fated death by a god's hateful allotment,

somewhere far away upon the mainland soil of Asia.

Thus, though earlier taught my doom by birds of evil omen,

I left my fatherland then, determined to go aboard

the ship, and once aboard leave glory behind in my house.

Thus he spoke; and the young men, hearing the god-given prophecy,

rejoiced in their homecoming, but grief seized them for Idmon's doom.

Now when the sun in heaven passes noon's steadfast station,

and newly the fields take shadow beneath the rocky heights,

as afternoon's sun inclines toward dusk in the shadowy west,

then all the heroes together upon the sands spread deep

leaf beds facing the shore-line of the gray sea,

and rested row upon row; nearby, abundant provisions

were spread, and sweet wine drawn off into brimming pitchers

43

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.