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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 145–168

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Ancient Greek Page · Branch 177 of 245

Book IV · Lines 145–168

Ancient Greek

p. 364
Line IV.145: τοῖο δʼ ἑλισσομένοιο κατʼ ὄμματα νίσσετο κούρη,Line IV.146: Ὕπνον ἀοσσητῆρα, θεῶν ὕπατον, καλέουσαLine IV.147: ἡδείῃ ἐνοπῇ, θέλξαι τέρας· αὖε δʼ ἄνασσανLine IV.148: νυκτιπόλον, χθονίην, εὐαντέα δοῦναι ἐφορμήν.Line IV.149: εἵπετο δʼ Αἰσονίδης πεφοβημένος, αὐτὰρ ὅγʼ ἤδηLine IV.150: οἴμῃ θελγόμενος δολιχὴν ἀνελύετʼ ἄκανθανLine IV.151: γηγενέος σπείρης, μήκυνε δὲ μυρία κύκλα,Line IV.152: οἷον ὅτε βληχροῖσι κυλινδόμενον πελάγεσσινLine IV.153: κῦμα μέλαν κωφόν τε καὶ ἄβρομον· ἀλλὰ καὶ ἔμπηςLine IV.154: ὑψοῦ σμερδαλέην κεφαλὴν μενέαινεν ἀείραςLine IV.155: ἀμφοτέρους ὀλοῇσι περιπτύξαι γενύεσσιν.Line IV.156: ἡ δέ μιν ἀρκεύθοιο νέον τετμηότι θαλλῷLine IV.157: βάπτουσʼ ἐκ κυκεῶνος ἀκήρατα φάρμακʼ ἀοιδαῖςLine IV.158: ῥαῖνε κατʼ ὀφθαλμῶν· περί τʼ ἀμφί τε νήριτος ὀδμὴLine IV.159: φαρμάκου ὕπνον ἔβαλλε· γένυν δʼ αὐτῇ ἐνὶ χώρῃLine IV.160: θῆκεν ἐρεισάμενος· τὰ δʼ ἀπείρονα πολλὸν ὀπίσσωLine IV.161: κύκλα πολυπρέμνοιο διὲξ ὕλης τετάνυστο.Line IV.162: ἔνθα δʼ ὁ μὲν χρύσειον ἀπὸ δρυὸς αἴνυτο κῶας,Line IV.163: κούρης κεκλομένης· ἡ δʼ ἔμπεδον ἑστηυῖαLine IV.164: φαρμάκῳ ἔψηχεν θηρὸς κάρη, εἰσόκε δή μινLine IV.165: αὐτὸς ἑὴν ἐπὶ νῆα παλιντροπάασθαι ἸήσωνLine IV.166: ἤνωγεν, λεῖπεν δὲ πολύσκιον ἄλσος Ἄρηος.Line IV.167: ὡς δὲ σεληναίην διχομήνιδα παρθένος αἴγληνLine IV.168: ὑψόθεν ἐξανέχουσαν ὑπωροφίου θαλάμοιο
364

The Argonautica: Book IV

p. 365

While he coiled about, the maiden came before his eyes,

calling upon Sleep, the helper, highest of all gods,

in her sweet voice to enchant the beast; and she cried to the queen

who roams through night beneath earth to favor the venture.

Jason followed behind her in fear; but already the serpent,

charmed by the song, began loosening his long backbone

of his earthborn coil, extending out myriad circles,

as a black wave rolls on over sluggish waters,

mute and without a roar. Yet even then the serpent

longed to raise up high his head of dreadful aspect

and trap the pair, clenched in his vast, murderous jaws.

But Medea dipped one fresh, tender shoot of juniper

into her potion, with spells sprinkled untainted drugs

down on his eyes; the sweet scent of the drug all around him

cast him to sleep. His jaw sank there in its place

resting against the earth, while far back behind it

his infinite coils stretched through the many-trunked woodland.

There Jason took the Golden Fleece down from the oak tree,

at Medea's command; she stayed there, fixed and steadfast,

kept rubbing the monster's head with drugs, until Jason

himself bade Medea turn back toward his ship,

and together they left the deep-shaded grove of Ares behind.

As a girl catches under her delicate gown the shimmer

of half-full moonlight rising high above the chamber roof,

365

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.