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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 73–96

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English Page · Branch 174 of 245

Book IV · Lines 73–96

Ancient Greek

p. 358
Line IV.73: αὐτῷ τʼ Αἰσονίδῃ τεκμήρατο· σῖγα δʼ ἑταῖροιLine IV.74: θάμβεον, εὖτʼ ἐνόησαν ὃ δὴ καὶ ἐτήτυμον ἦεν.Line IV.75: τρὶς μὲν ἀνήυσεν, τρὶς δʼ ὀτρύνοντος ὁμίλουLine IV.76: Φρόντις ἀμοιβήδην ἀντίαχεν· οἱ δʼ ἄρα τείωςLine IV.77: ἥρωες μετὰ τήνγε θοοῖς ἐλάασκον ἐρετμοῖς.Line IV.78: οὔπω πείσματα νηὸς ἐπʼ ἠπείροιο περαίηςLine IV.79: βάλλον, ὁ δὲ κραιπνοὺς χέρσῳ πόδας ἧκεν ἸήσωνLine IV.80: ὑψοῦ ἀπʼ ἰκριόφιν· μετὰ δὲ Φρόντις τε καὶ Ἄργος,Line IV.81: υἷε δύω Φρίξου, χαμάδις θόρον· ἡ δʼ ἄρα τούσγεLine IV.82: γούνων ἀμφοτέρῃσι περισχομένη προσέειπεν·Line IV.83: ἔκ με, φίλοι, ῥύσασθε δυσάμμορον, ὧς δὲ καὶ αὐτοὺςLine IV.84: ὑμέας Αἰήταο, πρὸ γάρ τʼ ἀναφανδὰ τέτυκταιLine IV.85: πάντα μάλʼ, οὐδέ τι μῆχος ἱκάνεται. ἀλλʼ ἐπὶ νηὶLine IV.86: φεύγωμεν, πρὶν τόνδε θοῶν ἐπιβήμεναι ἵππων.Line IV.87: δώσω δὲ χρύσειον ἐγὼ δέρος, εὐνήσασαLine IV.88: φρουρὸν ὄφιν· τύνη δὲ θεοὺς ἐνὶ σοῖσιν ἑταίροις,Line IV.89: ξεῖνε, τεῶν μύθων ἐπιίστορας, οὕς μοι ὑπέστης,Line IV.90: ποίησαι· μηδʼ ἔνθεν ἑκαστέρω ὁρμηθεῖσανLine IV.91: χήτει κηδεμόνων ὀνοτὴν καὶ ἀεικέα θείης.Line IV.92: Ἴσκεν ἀκηχεμένη· μέγα δὲ φρένες ΑἰσονίδαοLine IV.93: γήθεον· αἶψα δέ μιν περὶ γούνασι πεπτηυῖανLine IV.94: ἦκʼ ἀναειρόμενος προσπτύξατο, θάρσυνέν τε·Line IV.95: δαιμονίη, Ζεὺς αὐτὸς Ὀλύμπιος ὅρκιος ἔστω,Line IV.96: Ἥρη τε Ζυγίη, Διὸς εὐνέτις, ἦ μὲν ἐμοῖσιν
358

The Argonautica: Book IV

p. 359

and Jason himself made it out; their comrades in silence

stood astonished when they learned that the voice was truly hers.

Three times she called aloud; three times at the company's urging

Phrontis cried back in answer; meanwhile the heroes

drove the swift ship toward her, striking water with oars.

They had not yet thrown the ship's cables upon the farther

bank when Jason planted his racing feet on the dry land,

leaping from high on the deck; then Phrontis and Argus behind him,

the two sons of Phrixus, sprang down to the ground; but the maiden

clasped both of their knees with both hands and addressed them:

Friends, save me in my misery, and save yourselves

from Aeetes; everything now lies openly revealed,

and no remedy comes. But come, let us flee in the ship

before Aeetes mounts his team of swift, high-racing horses.

I shall give you the Golden Fleece, once I lull to sleep

its guardian serpent. But you, among all your companions,

stranger, make all the gods witnesses of the promises

you made me; and do not, when I have fled so far from here,

leave me reviled, dishonored, utterly bereft of kin.

She spoke in anguish; Jason's heart rejoiced greatly.

At once, seeing Medea clasping both his knees,

he gently lifted and embraced her, speaking words of courage:

Lady, let Zeus Olympian guard the oath himself,

and Hera of Marriage, the wife who shares the bed of Zeus:

359

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.