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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 25–48

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English Page · Branch 172 of 245

Book IV · Lines 25–48

Ancient Greek

p. 354
Line IV.25: φάρμακα πάντʼ ἄμυδις κατεχεύατο φωριαμοῖο.Line IV.26: κύσσε δʼ ἑόν τε λέχος καὶ δικλίδας ἀμφοτέρωθενLine IV.27: σταθμούς, καὶ τοίχων ἐπαφήσατο, χερσί τε μακρὸνLine IV.28: ῥηξαμένη πλόκαμον, θαλάμῳ μνημήια μητρὶLine IV.29: κάλλιπε παρθενίης, ἀδινῇ δʼ ὀλοφύρατο φωνῇ·Line IV.30: τόνδε τοι ἀντʼ ἐμέθεν ταναὸν πλόκον εἶμι λιποῦσα,Line IV.31: μῆτερ ἐμή· χαίροις δὲ καὶ ἄνδιχα πολλὸν ἰούσῃ·Line IV.32: χαίροις Χαλκιόπη, καὶ πᾶς δόμος. αἴθε σε πόντος,Line IV.33: ξεῖνε, διέρραισεν, πρὶν Κολχίδα γαῖαν ἱκέσθαι.Line IV.34: ὧς ἄρʼ ἔφη· βλεφάρων δὲ κατʼ ἀθρόα δάκρυα χεῦεν.Line IV.35: οἵη δʼ ἀφνειοῖο διειλυσθεῖσα δόμοιοLine IV.36: ληιάς, ἥν τε νέον πάτρης ἀπενόσφισεν αἶσα,Line IV.37: οὐδέ νύ πω μογεροῖο πεπείρηται καμάτοιο,Line IV.38: ἀλλʼ ἔτʼ ἀηθέσσουσα δύης καὶ δούλια ἔργαLine IV.39: εἶσιν ἀτυζομένη χαλεπὰς ὑπὸ χεῖρας ἀνάσσης·Line IV.40: τοίη ἄρʼ ἱμερόεσσα δόμων ἐξέσσυτο κούρη.Line IV.41: τῇ δὲ καὶ αὐτόματοι θυρέων ὑπόειξαν ὀχῆες,Line IV.42: ὠκείαις ἄψορροι ἀναθρώσκοντες ἀοιδαῖς.Line IV.43: γυμνοῖσιν δὲ πόδεσσιν ἀνὰ στεινὰς θέεν οἴμους,Line IV.44: λαιῇ μὲν χερὶ πέπλον ἐπʼ ὀφρύσιν ἀμφὶ μέτωπαLine IV.45: στειλαμένη καὶ καλὰ παρήια, δεξιτερῇ δὲLine IV.46: ἄκρην ὑψόθι πέζαν ἀερτάζουσα χιτῶνος.Line IV.47: καρπαλίμως δʼ ἀίδηλον ἀνὰ στίβον ἔκτοθι πύργωνLine IV.48: ἄστεος εὐρυχόροιο φόβῳ ἵκετʼ· οὐδέ τις ἔγνω
354

The Argonautica: Book IV

p. 355

every last drug together, out of the coffer.

She kissed her own bed, and the folding doors at both sides,

touched the doorposts and walls; with her hands she tore out a long

lock of her hair, left there in the room as a keepsake

for her mother, maidenhood's memorial; then she cried aloud:

This long lock I leave you in place of myself as I go,

my mother; farewell, though I journey far away from you.

Farewell, Chalciope, and all my house! If only the sea

had shattered you, stranger, before you reached Colchis!

So she spoke, and a flood of tears ran down from her eyelids.

As a captive woman slips from the house of a rich man,

whom fate has only now torn far from her own homeland,

who never yet has known sorrow's bitter labor,

but still new to misery, new to the work of a slave,

goes in terror beneath the pitiless hands of a mistress,

so the lovely maiden rushed forth out of the palace.

Even the bars of the doors gave way of their own accord,

springing straight back at the bidding of her swift spells.

Barefoot she ran up along the cramped and narrow pathways,

with her left hand drawing her veil above her eyebrows and over

her brow and lovely cheeks; with her right hand meanwhile

she raised the outermost hem of her tunic high from the ground.

Swiftly she traced the unseen path outside the towers

of the broad-streeted city, she came in fear; no watchman

355

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.