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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook III · Lines 265–288

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Ancient Greek Page · Branch 123 of 245

Book III · Lines 265–288

Ancient Greek

p. 254
Line III.265: ἡμετέρῃ κραδίῃ. τί δέ κεν πόλιν Ὀρχομενοῖο,Line III.266: ὅστις ὅδʼ Ὀρχομενός, κτεάνων Ἀθάμαντος ἕκητιLine III.267: μητέρʼ ἑὴν ἀχέουσαν ἀποπρολιπόντες, ἵκοισθε;Line III.268: ὧς ἔφατʼ· Αἰήτης δὲ πανύστατος ὦρτο θύραζε,Line III.269: ἐκ δʼ αὐτὴ Εἰδυῖα δάμαρ κίεν Αἰήταο,Line III.270: Χαλκιόπης ἀίουσα· τὸ δʼ αὐτίκα πᾶν ὁμάδοιοLine III.271: ἕρκος ἐπεπλήθει. τοὶ μὲν μέγαν ἀμφιπένοντοLine III.272: ταῦρον ἅλις δμῶες· τοὶ δὲ ξύλα κάγκανα χαλκῷLine III.273: κόπτον· τοὶ δὲ λοετρὰ πυρὶ ζέον· οὐδέ τις ἦεν,Line III.274: ὃς καμάτου μεθίεσκεν, ὑποδρήσσων βασιλῆι.Line III.275: τόφρα δʼ Ἔρως πολιοῖο διʼ ἠέρος ἷξεν ἄφαντος,Line III.276: τετρηχώς, οἷόν τε νέαις ἐπὶ φορβάσιν οἶστροςLine III.277: τέλλεται, ὅν τε μύωπα βοῶν κλείουσι νομῆες.Line III.278: ὦκα δʼ ὑπὸ φλιὴν προδόμῳ ἔνι τόξα τανύσσαςLine III.279: ἰοδόκης ἀβλῆτα πολύστονον ἐξέλετʼ ἰόν.Line III.280: ἐκ δʼ ὅγε καρπαλίμοισι λαθὼν ποσὶν οὐδὸν ἄμειψενLine III.281: ὀξέα δενδίλλων· αὐτῷ δ’ ὑπὸ βαιὸς ἐλυσθεὶςLine III.282: Αἰσονίδῃ γλυφίδας μέσσῃ ἐνικάτθετο νευρῇ,Line III.283: ἰθὺς δʼ ἀμφοτέρῃσι διασχόμενος παλάμῃσινLine III.284: ἧκʼ ἐπὶ Μηδείῃ· τὴν δʼ ἀμφασίη λάβε θυμόν.Line III.285: αὐτὸς δʼ ὑψορόφοιο παλιμπετὲς ἐκ μεγάροιοLine III.286: καγχαλόων ἤιξε· βέλος δʼ ἐνεδαίετο κούρῃLine III.287: νέρθεν ὑπὸ κραδίῃ, φλογὶ εἴκελον· ἀντία δʼ αἰεὶLine III.288: βάλλεν ὑπʼ Αἰσονίδην ἀμαρύγματα, καί οἱ ἄηντο
254

The Argonautica: Book III

p. 255

for this heart of mine. Why go to the city of Orchomenus,

whatever sort of place this Orchomenus may be, for Athamas' wealth,

leaving your mother behind in grief, and come to that city?

So she spoke; and Aeetes rose last of them all and came outward,

and Eidyia herself came forth, the wedded wife of Aeetes,

hearing Chalciope's voice; at once all the courtyard was filled

with clamor. Busy throngs of servants labored round the great

bull; others chopped dry billets with their bronze;

others heated the water for baths over fire, and no servant

ceased from his labor; each one kept serving the king.

Meanwhile, Eros came through the gray air, wholly unseen,

wild with turmoil, just like a gadfly rising against young heifers,

the stinging fly that the herdsmen of cattle call the horsefly.

Quickly beneath the lintel, there in the forehall, he strung his bow,

and chose from his quiver an unshot arrow, source of many groans.

With swift-running feet, unseen by all, he passed over the threshold,

casting sharp glances; tiny in form, he crouched at the feet of

Aeson's son, and notched his arrow at the bowstring's center.

Then, stretching it straight with his two hands far apart,

he shot at Medea; sheer speechlessness seized her spirit.

But he leapt backward again from the hall with its high roof,

laughing aloud; and deep in the maiden the arrow was burning,

deep under her heart, like flame; continually she cast straight toward

Aeson's son the bright, quick-flashing glances of her eyes,

255

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.