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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 241–264

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Ancient Greek Page · Branch 11 of 245

Book I · Lines 241–264

Ancient Greek

p. 26
Line I.241: ἔννεπεν εἰσορόων σὺν τεύχεσιν ἀίσσοντας·Line I.242: Ζεῦ ἄνα, τίς Πελίαο νόος; πόθι τόσσον ὅμιλονLine I.243: ἡρώων γαίης Παναχαιίδος ἔκτοθι βάλλει;Line I.244: αὐτῆμάρ κε δόμους ὀλοῷ πυρὶ δῃώσειανLine I.245: Αἰήτεω, ὅτε μή σφιν ἑκὼν δέρος ἐγγυαλίξῃ.Line I.246: ἀλλʼ οὐ φυκτὰ κέλευθα, πόνος δʼ ἄπρηκτος ἰοῦσιν.Line I.247: ὧς φάσαν ἔνθα καὶ ἔνθα κατὰ πτόλιν· αἱ δὲ γυναῖκεςLine I.248: πολλὰ μάλʼ ἀθανάτοισιν ἐς αἰθέρα χεῖρας ἄειρον,Line I.249: εὐχόμεναι νόστοιο τέλος θυμηδὲς ὀπάσσαι.Line I.250: ἄλλη δʼ εἰς ἑτέρην ὀλοφύρετο δακρυχέουσα·Line I.251: δειλὴ Ἀλκιμέδη, καὶ σοὶ κακὸν ὀψέ περ ἔμπηςLine I.252: ἤλυθεν, οὐδʼ ἐτέλεσσας ἐπʼ ἀγλαΐῃ βιότοιο.Line I.253: Αἴσων αὖ μέγα δή τι δυσάμμορος. ἦ τέ οἱ ἦενLine I.254: βέλτερον, εἰ τὸ πάροιθεν ἐνὶ κτερέεσσιν ἐλυσθεὶςLine I.255: νειόθι γαίης κεῖτο, κακῶν ἔτι νῆις ἀέθλων.Line I.256: ὡς ὄφελεν καὶ Φρίξον, ὅτʼ ὤλετο παρθένος Ἕλλη,Line I.257: κῦμα μέλαν κριῷ ἅμʼ ἐπικλύσαι· ἀλλὰ καὶ αὐδὴνLine I.258: ἀνδρομέην προέηκε κακὸν τέρας, ὥς κεν ἀνίαςLine I.259: Ἀλκιμέδῃ μετόπισθε καὶ ἄλγεα μυρία θείη.Line I.260: αἱ μὲν ἄρʼ ὧς ἀγόρευον ἐπὶ προμολῇσι κιόντων.Line I.261: ἤδη δὲ δμῶές τε πολεῖς δμωαί τʼ ἀγέροντο·Line I.262: μήτηρ δʼ ἀμφʼ αὐτὸν βεβολημένη. ὀξὺ δʼ ἑκάστηνLine I.263: δῦνεν ἄχος· σὺν δέ σφι πατὴρ ὀλοῷ ὑπὸ γήραιLine I.264: ἐντυπὰς ἐν λεχέεσσι καλυψάμενος γοάασκεν.
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The Argonautica: Book I

p. 27

spoke as he watched them leap forward wearing their armor:

Lord Zeus, what purpose has Pelias? Where does he send

so vast a host of heroes outside Panachaean land?

In a single day they could ravage the halls with destroying fire,

of Aeetes, unless the king grants them the Fleece of his own will.

But none can escape the road; hard is the labor of going.

Thus men spoke here and there throughout the city; the women

again and again raised hands to the immortals in heaven,

praying they grant a heart-gladdening end to homecoming.

And one woman wept to another, lamenting through tears:

Poor Alcimede, evil has reached even you, though late;

your lifetime never reached its end in shining splendor.

Aeson too is so grievously luckless; better for him

if long ago, close wrapped within his burial shroud,

he had lain under earth, still ignorant of cruel trials.

Would that, when maiden Helle died, Phrixus too

the black wave had engulfed with the ram! Yet it uttered

a human voice, an evil portent that would bring sorrows

on Alcimede in time to come, and pains beyond number.

So spoke the women as the heroes went forth on their way.

Already many servants, men and women, had gathered;

his mother clung to his neck; sharp grief pierced each woman,

and with them, Jason's father, crushed by ruinous age,

lay mourning on his bed, close wrapped beneath the covers.

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.