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Diotimos Library · Esotericism & Spirituality Collection · Parallel Edition

Baro Urbigerus

Aphorismi Urbigerani

The Complete 1690 Volume · With Circulatum Minus

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English Introduction · Branch 188 of 194

Relations Within the Work

Aphorismi Urbigerani: Relations Within the Work

p. 188

Relations Within the Work

First Matter and a Finished Substance

The first aphorism calls the subject undetermined; VIII excludes finished metals even when returned to mercury, water, or vapour. XXII nevertheless allows a prepared philosophic mercury involving common mercury. The distinction concerns the condition and preparation of a subject, so those statements should be compared before being declared interchangeable. Read the initial definition, the exclusion and the qualified possibility.

Art and the Preservation of Nature

The author distinguishes his operations from disguises, calls the result artificial, and also says that nature contributes to its preparation. Transformation and preservation therefore belong together within his claim. Compare transfiguring a subject, operations imitating nature and the prepared mercury.

The Three Ways and the One Beginning

The dedication makes the first matter common to all three ways. XIV calls the first way the way of the poor, while XV explains why the first and second are taught together. The postscript assigns the ways to the Dragon, the Dragon with the Serpent, and Apollo with Diana. The arrangement is an argument about related beginnings and conditions, not three disconnected lists. Read the dedication, the first way, the shared teaching and the author’s figure explanation.

Prepared Parts and Their Conjunction

Separating principles from impurities does not by itself complete the work. The author calls their preparation Herculean and then insists upon their exact, inseparable union. The distinction between an inventory of parts and a completed conjunction also governs the lesser elixir. Compare the three labours, the further requirement and the vegetable union.

Changing Colours and Claims of Completion

The Virgin’s colours are a sign of a stage in the principal work; the later rule distinguishes three essential colours from passing appearances. In the lesser work, colour enters a different account of the separation of a plant’s principles. The same visible word therefore needs its own local condition. Read the Virgin’s appearance, the essential colours and the vegetable example.

Medicine and the Extent of a Preparation

The grand elixir is presented as a remedy as well as a means of metallic change, while the lesser preparation is expressly specified for the vegetable kingdom. Its ability to draw a tincture from another kingdom does not, the author says, give it every power over that subject. Compare the stated medicinal intention, vegetable specification, a limitation and the account of further determination.

Knowledge of Nature and the End of Creation

The dedication joins the art to service of God; the postscript makes the emblem express the principal points of biblical faith and directs endeavour towards immortality. These statements give the work an explicit religious scope alongside its material claims. Read the author’s account of teaching and the concluding explanation.

188

About This Reading Edition

The complete 1690 Aphorismi Urbigerani: historical frontispiece and Latin inscriptions, title and licence, dedication, all 101 grand-elixir aphorisms, the complete Circulatum Minus with its title, address and 31 vegetable aphorisms, and the full explanatory postscript with both printed endings. Original and modern English readings, fresh Latin translations, 115 annotations and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Baro Urbigerus, Aphorismi Urbigerani, London: Henry Faithorne, 1690; with Circulatum Minus Urbigeranum and the concluding postscript. The Getty Research Institute copy supplies the governing images; EEBO-TCP A25684 supplies the structured transcription witness, corrected against those images. The frontispiece signed W. F. is attributed in library catalogues to William Faithorne.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical text and engraving are public domain. The EEBO-TCP Phase 2 transcription is released under CC0; that waiver does not cover associated images. The engraving is credited to the Getty Research Institute copy digitised by Internet Archive. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.