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Diotimos Library · Esotericism & Spirituality Collection · Bilingual Edition

Michael Sendivogius

A New Light of Alchemy

With the Dialogue of Mercury and the Treatise of Sulphur

A New Light of AlchemySulphur · Conclusion · Passage 1

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Latin Page · Branch 177 of 204

Sulphur · Conclusion · Passage 1

Source reference
Latin witness
1616 · sequence pages 81

Latin

CONCLUSIO.

CONCLUSIO.

Omnis inquisitor huius artis debet in primis maturo iudicio quatuor elementorum creationem, operationem et virtutes cum suis actibus examinare; si enim horum originem et naturam ignorat, ad cognitionem principiorum non perveniet, nec materiam veram lapidis cognoscet, multo minus finem bonum assequetur; quoniam omnis finis supra sui principium terminatur. Qui bene scit quid incipit, bene sciet quod finiet. Origo enim elementorum est chaos, ex quo Deus conditor rerum creavit et separavit elementa, quod solius Dei est. Ex elementis vero natura producit principia rerum, et hoc per velle Dei solius naturae est. Ex principiis postea natura mineras producit et omnia, ex quibus etiam artifex imitando naturam multa mirabilia potest, quoniam natura ex his principiis quae sunt Sal, Sulphur et Mercurius, mineras ac metalla et omnia genera rerum producit; et non producit simpliciter ex elementis metallum, sed per principia quae sunt medium inter elementa et metalla. Ergo si natura ista non facit, multo minus ars poterit; et non solum in hoc exemplo, verum in omni processu naturali dispositio media observanda est. Propterea hic in hoc tractatu et elementa ipsa, et illorum actus et operationem, tum et principiorum originem satis copiose descripsimus, quod hucusque nullus Philosophus clariora dedit, ut inquisitor bonus facilius considerare possit, in quo gradu lapis a metallis, et metalla ab elementis distant.

English

Conclusion

Conclusion

Every seeker of this art should first examine with mature judgment the creation, operation and powers of the four elements, together with their actions. If he is ignorant of their origin and nature, he will not reach knowledge of the principles or recognise the stone's true matter, much less attain a good end. Every end comes to rest upon its own beginning. Whoever knows well what he begins will know well what he will finish.

The elements originate in chaos. From it God, the maker of things, created and separated the elements: this belongs to God alone. From the elements nature produces the principles of things: by God's will this belongs to nature alone. From the principles nature then produces ores and everything else. From these an artist too can do many wonderful things by imitating nature. For from the principles—salt, sulphur and mercury—nature produces ores, metals and every kind of thing. She does not produce metal simply from elements, but through the principles, intermediaries between elements and metals. If nature does not do it, much less can art. Not only in this example but in every natural process the intermediate disposition must be observed.

Therefore in this treatise I have described sufficiently fully the elements themselves, their actions and operation, and the origin of the principles—no philosopher has yet given a clearer account—so that a good seeker may more readily consider how far the stone stands from metals, and metals from elements.

About This Reading Edition

The complete supplied Latin–English edition of the Twelve Treatises, Epilogue, Enigma, Parable, Dialogue of Mercury and Treatise of Sulphur, with original preliminaries, John French’s historical English address and its separately labelled modernisation, 101 annotations and the complete study apparatus.

Historical Text and Translation

The Twelve Treatises and their concluding texts follow the selected 1606 Herzog August Bibliothek witness. The Dialogue uses the 1607 Cologne printing; the author’s preface and Alsted epigram use Frankfurt 1611. Sulphur uses the 1616 Munich and Rome witnesses. John French’s 1650 address is separately identified as historical English reception.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical Latin texts and John French’s 1650 English address are in the public domain. The new translation, modernisation and editorial apparatus were prepared with AI assistance for Diotimos Editions in 2026 and are published with the site owner’s authorization.