Diotimos Library · Esotericism & Spirituality Collection · Bilingual Edition
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English Page · Branch 20 of 204
Treatise I · Passage 2
Source reference
- Latin witness
- 1606 pp. 87–89
Latin
Ita etiam generosa natura semper agit, usque in ipsum Iliadum, hoc est, terminum ultimum, postea cessat: nam indita est naturae promissio quaedam ab initio, ut per cursum integrum possit ad meliora venire, et requiem habere plenariam, ad quam omni conatu tendit, et gaudet suo fine, non aliter, ut formica senio, cui in senectute natura creat alas: ita nimirum et nostra ingenia, eo usque progressa sunt, praesertim in arte Philosophica seu lapidis praxi, ut iam fere in ipsum Iliadum pervenerimus. Nam ars chymiae eiusmodi subtilitates nunc invenit, ut vix maiores possint reperiri, et eatenus differt a veterum Philosophorum arte, prout faber horologiorum, a simplici fabro ferrario: et licet ambo tractent ferrum, nihilominus neuter sciret alterius labores, quamvis ambo sint in sua arte magistri. Si hodie revivisceret ipse Philosophorum pater Hermes, et subtilis ingenii Geber cum profundissimo Raymundo Lullio, non pro Philosophis, sed potius pro discipulis a nostris chymistis haberentur: nescirent tot hodie usitatas distillationes, et tot circulationes tot calcinationes aliaque innumera artistarum opera, quae ex illorum scriptis huius saeculi homines invenerunt, et excogitarunt. Unicum tantum nobis deest, ut id sciamus, quod ipsi fecerunt, lapidem videlicet Philosophorum seu tincturam Physicam: nos dum illam quaerimus, alia invenimus, et nisi ita usitata esset procreatio humana, et natura in eo suum ius teneret, iam vix non deviaremus.
English
Noble nature likewise works continually until she reaches the Iliadum itself, that is, the final limit; then she rests. From the beginning a certain promise was implanted in nature: by completing her course she could attain better things and enjoy complete rest. She strives toward this with all her powers and rejoices in her end, like an ageing ant, for which nature creates wings in old age. Our own ingenuity has certainly advanced so far, especially in the philosophical art or practice of the stone, that we have now almost reached the Iliadum itself. The art of chymistry has discovered subtleties so great that scarcely greater ones can be found. It differs from the art of the ancient philosophers as a clockmaker differs from an ordinary blacksmith. Although both work with iron, neither would know the other’s tasks, even though each is a master of his own art. If Hermes himself, the father of philosophers, returned to life today, together with the subtle-minded Geber and the most profound Raymond Lull, our chymists would regard them as pupils rather than philosophers. They would not know the many distillations now in use, the many circulations and calcinations, and the innumerable other operations of practitioners that people of this age have discovered and devised from their writings. We lack only one thing: knowing what they actually made—the philosophers’ stone, or physical tincture. While searching for it, we discover other things. Had human procreation not become so familiar, and did nature not maintain her own jurisdiction in it, we would by now scarcely fail to go astray even there.
Socrates
Reading A New Light of Alchemy · Treatise I · Treatise I · Passage 2
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Socrates will begin with this book and its sources.About This Reading Edition
The complete supplied Latin–English edition of the Twelve Treatises, Epilogue, Enigma, Parable, Dialogue of Mercury and Treatise of Sulphur, with original preliminaries, John French’s historical English address and its separately labelled modernisation, 101 annotations and the complete study apparatus.
Historical Text and Translation
The Twelve Treatises and their concluding texts follow the selected 1606 Herzog August Bibliothek witness. The Dialogue uses the 1607 Cologne printing; the author’s preface and Alsted epigram use Frankfurt 1611. Sulphur uses the 1616 Munich and Rome witnesses. John French’s 1650 address is separately identified as historical English reception.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
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The historical Latin texts and John French’s 1650 English address are in the public domain. The new translation, modernisation and editorial apparatus were prepared with AI assistance for Diotimos Editions in 2026 and are published with the site owner’s authorization.